Nadir Shah of Iran

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    ca. 1900
  • Geography

    India
  • Material

    Opaque watercolor, ink, and gold on paper
  • Dimension

    H x W (overall): 30.6 x 22.9 cm (12 1/16 x 9 in)
  • Accession Number

    S1986.439
  • EDAN ID

    edanmdm:fsg_S1986.439

Object Details

  • Court

    Mughal Court
  • School/Tradition

    Mughal school
  • Description

    Detached album folio; Nadir Shah of Iran; single-page portrait; Persian in black nasta'liq script, inscription on the top reads: likeness of [the] auspicious Highness Nadirshah Padishah the [?]; on the side: was drawn during the auspicious visit of Shah Jahan [?].
    Border: The painting is set in gold and black rulings in a blue foliate scroll, surrounded by a red and gold outer frame mounted on a cream-colored paperboard with floral motifs.
  • Marks

    Mounting board: Nadir Schah, written in pencil
    Old matting: Vever 325, written in pencil
    Old matting: white rectangular sticker with blue boarder, 325 written in blue pencil
    Old matting: Nader Shah, written in pencil
    Old matting: Est. Dem. prrx, written in pencil
    Old matting: white rectangular sticker with 754 printed in black
    Old matting: Vever 70 (underlined), written in blue pencil
    Old matting: Vever 70 (underlined), written in blue pencil
  • Inscriptions

    On the top, "likeness of [the] auspicious Highness Nadirshah Padishah the [?]."
    On the side: “was drawn during the auspicious visit of Shah Jahan [?]."
    On the side: “was drawn during the auspicious visit of Shah Jahan [?]."
  • Label

    During a period of political and artistic decline following the reign of Aurangzeb (1658-1707), the Mughal empire became subject to invasion. The Iranian ruler Nadir shah (reigned 1736-47) sacked Delhi in 1739. Among the many treasures that Nadir shah brought back to Iran were a great early Mughal manuscript, the Hamzanama (Story of Amir Hamza), the Peacock Throne of Shahjahan, and the Koh-i Nur diamond.
    This portrait, identified in the inscription as Nadir shah, is probably based on an eighteenth-century drawing. The distinctive headdress is likely to have been Nadir shah's choice as a dynastic emblem.
  • Provenance

    ?-?
    Possibly Georges Demotte (1877-1923), method of acquisition unknown [1]
    ?-1942
    Henri Vever (1854-1942), method of acquisition unknown [2]
    1942-1947
    Jeanne Louise Monthiers (1861-1947), bequest of Henri Vever [3]
    1947-1986
    Francois Mautin (1907-2003), bequest of Jeanne Louise Monthiers and Henri Vever [4]
    From 1986
    National Museum of Asian Art, Smithsonian Institution, purchased from Francois Mautin [5]
    Notes:
    [1] See annotation “Est. Dem” on the old matting, which suggests the work was estimated and possibly sold by Georges Demotte to Vever. Georges Demotte was a collector and dealer of Islamic and medieval European art. He had galleries in Paris and New York City.
    [2] An accomplished French jeweler and collector, Henri Vever amassed a large and impressive collection of works of art during his lifetime. His holdings in Japanese prints and Islamic arts of the books, especially from Iran and India, were among the most important assembled in the early twentieth century. This object was in Vever's collection at the time of his death in 1942.
    [3] Upon Henri Vever's death on September 25, 1942, his wife, Jeanne Louise Monthiers inherited the object. See exhibits F and G of Agreement of Purchase and Sale of the Henri Vever Collection, January 9, 1986, copy in object file.
    [4] Upon the death of Jeanne Louise Monthiers, as stipulated in the will of Henri Vever, the family's assets were divided evenly between his two grandchildren. His only grandson, Francois Mautin inherited the collection known as "The Henri Vever Collection of Oriental Art and Manuscripts Including Persian and Indian Art and Manuscripts." This object is part of that collection. See exhibits F and G as cited in note 3.
    [5] The Arthur M. Sackler Gallery purchased the entirety of the collection from Francois Mautin on January 9, 1986. See purchase agreement, copy in object file. This work is part of the Museum’s Arthur M. Sackler Gallery Collection.
    Research updated April 18, 2024.
  • Collection

    Arthur M. Sackler Collection
  • Exhibition History

    Arts of Mughal India (1992) (May 24 to December 6, 1992)
  • Previous custodian or owner

    Georges Demotte (1877-1923)
    Henri Vever (1854-1942)
    Jeanne Louise Monthiers (1861-1947)
    Francois Mautin (1907-2003)
  • Origin

    India
  • Credit Line

    Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring