Folio from a Rawdat al-safa (Garden of felicity) by Mirkhwand (d. 1498); verso: illustration and text, Muhammad converses with Nestor; recto: text, On the events of the twenty-fifth years of Muhammad's birth, his trip to Damascus and his marriage to Khadijeh Kobra

Detail of a pattern
Image 1 of 2
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1571-1572
  • Geography

    Shiraz, Iran
  • Material

    Opaque watercolor, ink and gold on paper
  • Dimension

    H x W: 41.2 x 27.1 cm (16 1/4 x 10 11/16 in)
  • Accession Number

    S1986.245
  • EDAN ID

    edanmdm:fsg_S1986.245

Object Details

  • Calligrapher

    Inayatullah al-katib al-Shirazi
  • Author

    Khwandshah (Mirkhwand)
  • Description

    Detached folio from a dispersed copy of a Rawdat al-safa fi sirat al-anbiya' wa-al-muluk wa-al-khulafa (Garden of purity on the lives of the prophets, kings, and caliphs) by Muhammad b. Khwandshah (known as Mirkhwand); text: Persian in black nasta'liq script; heading in gold; recto: text: On the events of the twenty-fifth years of Mohammad's birth, His trip to Damascus and his marriage to Khadija Kobra, one column, twenty-five lines; verso: illustration and text: Muhammad converses with Nestor; one of a group of twenty folios.
    Border: The painting is set in red, gold, and black rulings on a paper with landscape and animal motifs; the text is set in red, gold, and black rulings on cream-colored paper.
  • Provenance

    ?-1942
    Henri Vever (1851-1942), method of acquisition unknown [1]
    1942-1947
    Jeanne Louise Monthiers (1861-1947), bequest of Henri Vever [2]
    1947-1986
    Francois Mautin (1907-2003), bequest of Jeanne Louise Monthiers and Henri Vever [3]
    From 1986
    The National Museum of Asian Art, by purchased from Francois Mautin [4]
    Notes:
    [1] An accomplished French jeweler and collector, Henri Vever amassed a large and impressive collection of works of art during his lifetime. His holdings in Japanese prints and Islamic arts of the books, especially from Iran and India, were among the most important assembled in the early twentieth century. This object was in Vever's collection at the time of his death in 1942.
    [2] Upon Henri Vever's death on September 25, 1942, his wife, Jeanne Louise Monthiers inherited the object. See exhibits F and G of Agreement of Purchase and Sale of the Henri Vever Collection, January 9, 1986, copy in object file.
    [3] Upon the death of Jeanne Louise Monthiers, as stipulated in the will of Henri Vever, the family's assets were divided evenly between his two grandchildren. His only grandson, Francois Mautin inherited the collection known as "The Henri Vever Collection of Oriental Art and Manuscripts Including Persian and Indian Art and Manuscripts." This object is part of that collection. See exhibits F and G as cited in note 3.
    [4] The Museum purchased the entirety of the collection from Francois Mautin on January 9, 1986. See purchase agreement, copy in object file. This work is part of the Museum’s Arthur M. Sackler Gallery Collection.
    Research updated on June 27, 2024
  • Collection

    Arthur M. Sackler Collection
  • Previous custodian or owner

    Henri Vever (1854-1942)
    Francois Mautin (1907-2003)
  • Origin

    Shiraz, Iran
  • Credit Line

    Purchase — Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler
  • Type

    Manuscript
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring