Sketchbook depicting Kabuki play Terokoya
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
Dated Spring, Meiji 36 (1903) -
Geography
Japan -
Material
Ink and color on paper bound in silk covered album -
Dimension
H x W (sheet and image): 21.1 x 1287 cm (8 5/16 x 506 11/16 in) -
Accession Number
F2004.9a-ddd -
EDAN ID
edanmdm:fsg_F2004.9a-ddd
Object Details
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Artist
Kobayashi Kiyochika 小林清親 (1847-1915) -
Description
Bound album with silk covered front and back covers. Separate protective cover with two ivory toggle closures. Contains thirty-seven illustrations, each the full width of an unfolded sheet, illustrate a farcical Kabuki performance. In the first sequence, a couple offers a box of rice balls which attract great interest from a man perched high in a stand. He falls head first and becomes covered with rice balls. Later, a warrior approaches along the hanamichi leading toward the stage and other action ensues onstage. -
Signatures
The signature identifies the painter as Kobayashi Kiyochika. -
Inscriptions
This satirical album begins with an inscription in the form of a seventeen-syllable verse by Ozaki Koha reading:gei nashi noyokan wo hadaka noodori kana"[A performance] without art [is like] dancing naked in late winter" -
Provenance
To 2004Robert O. Muller (1911-2003), Newtown, CT, to 2004From 2004Freer Gallery of Art, purchased from the Estate of Robert O. Muller through Joan Mirviss, Ltd., New York, NY, in 2004 -
Collection
Freer Gallery of Art Collection -
Exhibition History
Dream Worlds: Modern Japanese Prints and Paintings from the Robert O. Muller Collection (November 06, 2004 to January 7, 2007) -
Previous custodian or owner
Robert O. Muller (1911-2003)Estate of Robert O. Muller -
Origin
Japan -
Credit Line
Purchase from the Estate of Robert O. Muller — funds provided by the Friends of the National Museum of Asian Art and the Harold P. Stern Memorial Fund -
Type
Painting -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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