Akhairaj with Courtiers and Musicians in a Garden

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At A Glance

  • Period

    ca. 1820
  • Geography

    Jodhpur, Rajasthan state, Marwar, India
  • Material

    Opaque watercolor and gold on paper
  • Dimension

    H x W: 34.4 x 45.3 cm (13 9/16 x 17 13/16 in)
  • Accession Number

    F1999.17
  • EDAN ID

    edanmdm:fsg_F1999.17

Object Details

  • Court

    Marwar Court
  • School/Tradition

    Rajput school
  • Description

    Akhairaj, a minor noble in the state of Jodhpur (Marwar), is sitting on an English-style chair in an unidentified garden, listening to musicians and enjoying flowers. Below, a servant gathers fruit, and a sadhu sits by a fire in a corner of the garden, near a well. Red border.
  • Marks

    Verso: Five and a half lines of writing at the top. Below is a circular stamp in purple ink: around the edge: KUMAR SANGRAM SINGH x OF NAWAL GARH x. In the middle: Painting No. Below the stamp: S Singh [written in blue ink]; 35 [written in pencil and circled]; Title: Raja Akahi Raj [stamped and written in blue ink]; School: Jodhpur [stamped and written in blue ink]; Artist: x [stamped and written in blue ink].
  • Inscriptions

    1. (From the Seller's Invoice, September 1999) Five line inscription in nagari characters on reverse.
    2. (Milo C. Beach, 6 December 1999) Akhairaj and other courtiers are identified by an inscription on the reverse. (Details to follow after translation of inscription.)
  • Label

    This painting is in an early phase of the style that became general at the royal court of Jodhpur, as well as in outlying dependencies.
    Following the death of Maharaja Vijay Singh of Jodhpur in 1793, a succession battle took place that centered on Bhim Singh and Man Singh, two grandsons (but by different fathers) of the deceased ruler. Bakshi Singhvi Akhairaj was a partisan of Bhim Singh, whom he helped to place on the throne on July 20, 1793. During the next years, he led several campaigns aganst the continually rebellious Man Singh, whose side he joined in 1798. Captured and imprisoned by Bhim Singh, he had again joined Man Singh when the Maharaja died in 1803, and helped to insure Man Singh's succession--not difficult, since Man Singh was the only surviving heir in the family. As the Marathas became more powerful in the area, Akhairaj joined a coup d'etat to prevent Man Singh's intended alliance with Bapuji Scindia, and forced Man Singh's abdication in favor of his son, the yuvraj Chattra Singh. Eventually the British negotiated a treaty with Jodhpur, signed on January 6, 1818, that ended Scindia trouble-making, replacing the tributes demanded by the Marathas with tribute to the British. Because of the English chair, this painting probably post-dated that alliance.
  • Provenance

    From at least 1967
    Kumar Sangram Singh of Nawalgarh, Jaipur, from at least 1967 [1]
    Stuart Cary Welch, Cambridge, Massachusetts and Warner, New Hampshire [2]
    To 1999
    Terence McInerney Fine Arts Ltd., New York to 1999
    From 1999
    Freer Gallery of Art, purchased from Terence McInerney Fine Arts Ltd. in 1999
    Notes:
    [1] In 1967, the object was seen and photographed by Milo C. Beach in the collection of Kumar Sangram Singh; his seal is on the reverse (according to Curatorial Note 4, Milo C. Beach, December 6, 1999, in the object record).
    [2] The object was acquired soon after 1967 by S.C. Welch, and sold through Colnaghi's (according to Curatorial Note 4, Milo C. Beach, December 6, 1999, in the object record).
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    East of Eden: Gardens in Asian Art (February 24 to May 13, 2007)
  • Previous custodian or owner

    Kumar Sangram Singh (Thakur of Nawalgarh)
    Stuart Cary Welch (1928-2008)
    Terence McInerney Fine Arts, Ltd. (active 1990-2013)
  • Origin

    Jodhpur, Rajasthan state, Marwar, India
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

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