Lotus 荷花圖 (冊・八頁)

Detail of a pattern
Image 1 of 11
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    ca. 1665
  • Geography

    China
  • Material

    Ink on paper
  • Dimension

    H x W (.1: image): 25.4 x 33.6 cm (10 x 13 1/4 in)
  • Accession Number

    F1998.53.1-8
  • EDAN ID

    edanmdm:fsg_F1998.53.1-8

Object Details

  • Artist

    Bada Shanren 八大山人 (朱耷) (1626-1705)
  • Label

    This exquisite album of ink-lotuses is among the earliest surviving works by Bada Shanren. Painted while the artist was still living as a monk, the eight leaves bear many of his Buddhist names--such as Fajue, Chuanqi, and Ren'an--either in signatures or in seal impressions. Symbolizing Buddhist ideals of purity and rebirth, lotuses remained an important subject for Bada throughout his career, and he constantly varied his use of the flower as a compositional element.
    Here he has left the center of most compositions void, with the plants seeming to dangle or thrust into the picture from outside the frame. Some commentators have suggested that such fragmentary images indicate that the world was imperfect in the eyes of this former prince, who was then living clandestinely under the alien Manchu regime. Whatever the validity of such a psychological reading, these paintings are a glowing testament to the enormous talent and creativity of this unique individual during his early years as an artist and presage his subsequent transition from a figure of Ming royalty turned Buddhist monk into a professional Qing-dynasty painter and calligrapher.
  • Provenance

    To 1997
    Wang Fangyu (1913-1997) and Sum Wai (1918-1996), to 1997 [1]
    To 1998
    Shao F. Wang, New York and Short Hills, NJ, by descent, to 1998 [2]
    From 1998
    Freer Gallery of Art, gift of Shao F. Wang in 1998
    Notes:
    [1] According to Curatorial Note 3, Joseph Chang and Stephen D. Allee, May 7, 1998, and Joseph Chang and Stephen D. Allee, August 18, 1998, in the object record.
    [2] See note 1.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Enigmas: The Art of Bada Shanren (1626-1705) (June 20, 2015 to January 3, 2016)
    Seasons: Chinese Flowers (July 2, 2011 to January 8, 2012)
    In Pursuit of Heavenly Harmony: Paintings and Calligraphy by Bada Shanren (1626-1705) from the Bequest of Wang Fangyu and Sum Wai (April 26 to October 13, 2003)
  • Previous custodian or owner

    Wang Fangyu (1913-1997)
    Sum Wai (1918-1996)
    Shao F. Wang
  • Origin

    China
  • Credit Line

    Bequest from the collection of Wang Fangyu and Sum Wai, donated in their memory by Mr. Shao F. Wang
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring