Excerpt from Ban Gu's Preface to the Two Capitals Rhapsody in seal script

Detail of a pattern
Image 1 of 1
IIIF

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At A Glance

  • Period

    1943
  • Geography

    China
  • Material

    Hanging scroll; ink on paper
  • Dimension

    H x W (image): 104.7 x 32 cm (41 1/4 x 12 5/8 in)
  • Accession Number

    F1997.80
  • EDAN ID

    edanmdm:fsg_F1997.80

Object Details

  • Artist

    Wang Shi (1880-1960)
  • Label

    When the great Han dynasty was first established, day after day the emperor was afforded no leisure. By the eras of emperors Wu and Xuan, they finally honored the ritual officers and examined literature. Within the palace, they set up the offices of the Bronze Horse Gate and the Stone Canal Pavilion.
    The Bronze Horse Gate was located in the city of Chang'an (modern Xi'an, Shaanxi Province), the imperial capital of the Han dynasty (206 B.C.E.-220 C.E.). The gate received this name because of a large bronze statue of a Ferghana horse, erected by the order of Emperor Wu (reigned 140-87 B.C.E.), that stood in front of the government office where officials gathered to await the imperial summons.
    Wang Shi, a native of Hangzhou, Zhejiang Province, learned calligraphy from his well-educated father and was skillful in seal script and seal carving by the time he was a teenager. As here, his works are always symmetrical in composition and subtle in execution.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Tales of the Brush: Chinese Painting with Literary Themes (February 9 to July 27, 2008)
    Year of the Horse: Chinese Horse Paintings (February 24 to September 2, 2002)
  • Origin

    China
  • Credit Line

    Gift of Robert Hatfield Ellsworth in honor of the 75th Anniversary of the Freer Gallery of Art
  • Type

    Calligraphy
  • Restrictions and Rights

    Usage Conditions Apply

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