Flowers of the Four Seasons (one of a pair with F1997.31.2)

Detail of a pattern
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At A Glance

  • Period

    1825-1850
  • Geography

    Japan
  • Material

    Ink and color on silk
  • Dimension

    H x W (image): 115 × 26.2 cm (45 5/16 × 10 5/16 in)
  • Accession Number

    F1997.31.1a-b
  • EDAN ID

    edanmdm:fsg_F1997.31.1a-b

Object Details

  • Artist

    Izuhara Makoku (1777-1860)
  • Label

    Makoku, a Buddhist monk, was the least known member of a triumvirate of Nagoya-born painters; the other two were Yamamoto Baiitsu (1783-1856) and Nakabayashi Chikuto (1776-1853), who in the early nineteenth century advanced a painting style that melded Chinese Ming (1368-1644) and Qing (1644-1911) dynasty styles with Japanese sensibilities. Both Baiitsu and Chikuto achieved considerable prominence in the highly competitive cultural milieu of Kyoto. Makoku, while fully engaged in a range of cultural activities, seems to have a more reserved, less commercially directed life than his colleagues.
    Makoku proposes a naturalistic but highly unlikely arrangement of plants that represent the four seasons. A centuries-old painting practice for this kind of arrangement called for placement of representative flowers sequentially in clearly demarcated compositional space. Makoku follows an Edo-period (1615-1868) trend of blending flowers and grasses in a naturalistic rather than schematic mode and, further, uses the opportunity to depict less well-known flowers.
    See also F1997.31.2
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    The Arts of Japan (July 14, 2012 to January 13, 2013)
    Seasons: Arts of Japan (February 5, 2011 to January 13, 2013)
    More Than Flowers: Sources of Tradition in Japanese Painting (September 2, 2001 to November 24, 2002)
  • Origin

    Japan
  • Credit Line

    Gift of Andreas Leisinger
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

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