Cranes, one of a pair

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1775-1790
  • Geography

    Japan
  • Material

    Ink on paper
  • Dimension

    H x W (image): 143.3 × 67.5 cm (56 7/16 × 26 9/16 in)
  • Accession Number

    F1997.25.1a-f
  • EDAN ID

    edanmdm:fsg_F1997.25.1a-f

Object Details

  • Artist

    Ito Jakuchu 伊藤若冲 (1716-1800)
  • Description

    The crane in this painting, with wing up, faces proper left.
  • Inscriptions

    1. (James T. Ulak, 8 October 1997) Neither image (also see F1997.25.2) is signed or dated but each is impressed with the square intaglio To Jokin-in seal and round relief Jakuchu koji seal.
  • Label

    From his sixtieth year (1776) Jakuchu was engaged in a series of projects that involved the erection of large ensembles of Buddhist stone sculptures. Evidence of this devotional activity is seen in the partially extant group of five-hundred rakan (arahats) statues placed on a hillside adjacent to Sekihoji, a Zen temple in Fukakusa just to the south of Kyoto. Jakuchu funded these projects through sale of his paintings and it is from this period until his death that the largest number of his ink paintings were produced.
    Jakuchu's fascination with the diptych format extends to his work in the folding screen format of twelve joined panels. Jakuchu frequently eschewed a unified composition extending across the surface of a pair of screens and opted, instead for six pairs of compositionally linked images set on to a screen. This particular screen style was called oshi-e hari byobu (single panels painted then affixed to a folding screen format). In some instances, such paintings have been subsequently separated from their screen format and remounted as single paintings or as diptychs.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Seasons: Arts of Japan (February 5, 2011 to January 13, 2013)
    Birds and Beasts in Japanese Art (January 31 to July 18, 2004)
    Beyond the Legacy--Anniversary Acquisitions of the Freer Gallery of Art (October 11, 1998 to April 11, 1999)
  • Origin

    Japan
  • Credit Line

    Purchase — funds provided by the Mary Livingston Griggs and Mary Griggs Burke Foundation in honor of the 75th Anniversary of the Freer Gallery of Art
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring