Stamp seal
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
224-651 -
Geography
Iran -
Material
Chalcedony -
Dimension
H x W x D (overall): 2.7 x 1.5 x 2.1 cm (1 1/16 x 9/16 x 13/16 in) -
Accession Number
F1993.15.1 -
EDAN ID
edanmdm:fsg_F1993.15.1
Object Details
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Description
Ellipsoid shaped stamp seal with engraved bearded male bust in right profile.The male bust is supported by a wing like motif and a laurel leaf frames the male profile. -
Label
Stamp seals of the Sasanian period, often with abbreviated inscriptions, can particularly help us to understand belief systems, aspects of economy and administration in the Middle East between the third and 7th centuries and later. Seals were owned by officials, priests, wealthy property owners, but sometimes also by people from lower strata of the society. The portrait of a bearded man is a popular motif in Sasanian seals. While plenty of male portrait busts are known from impressions on sealings or bullae excavated at sites like Takht-e Sulaiman and Qasr Abu Nasr in Iran, it is doubtful whether there is any real portrait character intended, even when names are preserved. -
Provenance
From 1943-45 to 1980Private collector, purchased in Iran. [1]From 1980Freer Gallery of Art, gift of a private collector. [2]Notes:[1] According to the donor, object was purchased in Iran between 1943 and 1945. See note by the donor dated from November 24, 1980, copy in object folder, Collection Management Office.[2] Object was later transferred to the Permanent Collection in April 1993. See Freer Gallery of Art Purchase List after 1920 file, Collections Management Office. -
Collection
Freer Gallery of Art Collection -
Exhibition History
Feast Your Eyes: A Taste for Luxury in Ancient Iran (February 4, 2012 - ongoing) -
Previous custodian or owner
Anonymous -
Origin
Iran -
Credit Line
Anonymous gift -
Type
Tool and Equipment -
On View
Sackler Gallery 21: Feast Your Eyes: A Taste for Luxury in Ancient Iran -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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