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At A Glance

  • Period

    ca. 1893-1899
  • Geography

    Japan
  • Material

    Porcelain with areas of copper-red in clear glaze
  • Dimension

    H x W x D: 18.4 x 8.3 x 8.3 cm (7 1/4 x 3 1/4 x 3 1/4 in)
  • Accession Number

    F1991.29
  • EDAN ID

    edanmdm:fsg_F1991.29

Object Details

  • Description

    Inverted pyriform-shaped (pear-shaped) vase with narrow mouth, averted lip and trumpet-shaped neck. Body tapers down into tall flared stem and flat foot trimmed to form narrow footring.
    Clay: Porcelain, footrim slightly chipped and darkened on surface by use.
    Glaze: Interior, exterior and foot covered with nearly colorless glaze with slight blue-grey tint. Copper red appears around lip and under rim on exterior. Red pigment appears to be dusted, somewhat unevenly, onto body around widest diameter, shading down onto stem. Unglazed footrim.
    Decoration: None.
    Mark: None.
    Signatures/Inscriptions: Two paper labels on base: "CMK 2" and "2".
  • Marks

    Two paper labels on base: "CMK 2" and "2
  • Label

    This unsigned vase is modeled after a Chinese Kangxi period (1662-1722) imperial porcelain bearing the type of pink-toned, copper-based glaze called peach bloom. The coloration of this vase, achieved with Western pigments, closely resembles that of the works of Miyagawa Kozan.
    This vase was part of a collection formed by Charles M. Kurtz (1855-1909), during the period when he served as assistant art director for the 1893 World's Columbian Exposition in Chicago and art director for the 1904 Louisiana Purchase Centennial International Exposition in St. Louis. Kurtz's collecting focused on porcelain with highly colored glazed. Along with these pieces by prominent Japanese potters, Kurtz acquired vases of similar shapes and colors from American and European factories. Kurtz's collection, representative of a broad popular interest in Japanese art in the late nineteenth century, also reflects the growing internationalism in the decoration of ceramics resulting from rapid exchange of information and technology facilitated by the international fairs.
  • Provenance

    To ?
    Charles M. Kurtz (1855-1909). [1]
    To 1991
    Isabel S. Kurtz (1901-1991). [2]
    From 1991
    Freer Gallery of Art, bequest of Isabel S. Kurtz (1901-1991). [3]
    Notes:
    [1] Ms. Isabel Kurtz bequeathed the group of Asian ceramics, F1991.19-.44, to the Freer Gallery of Art.
    These objects had been collected by her father, Charles M. Kurtz, who was a friend of Charles Freer.
    Also see Curatorial Remark 2 in the object record.
    [2] See note 1. Also see Freer Gallery of Art Purchase List after 1920 file, Collections Management Office.
    [3] See note 2.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Japanese Art of the Meiji Era (September 20, 1997 to April 26, 1998)
  • Previous custodian or owner

    Charles M. Kurtz (1855-1909)
    Isabel S. Kurtz (1901-1991)
  • Origin

    Japan
  • Credit Line

    Bequest of Isabel S. Kurtz
  • Type

    Vessel
  • Restrictions and Rights

    Usage Conditions Apply

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