Vase
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
ca. 1893-1899 -
Geography
Japan -
Material
Porcelain with pale blue-green glaze appearing copper-red at rim and foot -
Dimension
H x W x D: 18.1 x 9.7 x 9.7 cm (7 1/8 x 3 13/16 x 3 13/16 in) -
Accession Number
F1991.24 -
EDAN ID
edanmdm:fsg_F1991.24
Object Details
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Description
Inverted pyriform (pear-shaped) vase with everted lip, thin rim and trumpet-shaped neck. Flared base extends over raised foot trimmed to create footring.Clay: Porcelain; footrim darkened on surface by use.Glaze: Red (copper) pigment applied to lip, rim and upper neck under a light blue-green glaze. Red pigment on neck crazed during firing. Specks of red glaze appear through glaze on exterior body. At the waist and shoulders glaze has a pitted, "orange-peel" texture due to traces of minute bubbles in the glaze which burst at high temperatures during firing. Blue-green glaze also applied to interior and foot. Unglazed footrim.Decoration: Red color, concentrated primarily on the bottle rim and upper neck, contrasts with the blue-green glaze.Paper labels: "CMK 8" and "*/[triangle]." -
Marks
Paper labels: "CMK 8" and "*/[triangle]." -
Provenance
To ?Charles M. Kurtz (1855-1909). [1]To 1991Isabel S. Kurtz (1901-1991). [2]From 1991Freer Gallery of Art, bequest of Isabel S. Kurtz (1901-1991). [3]Notes:[1] Ms. Isabel Kurtz bequeathed the group of Asian ceramics, F1991.19-.44, to the Freer Gallery of Art.These objects had been collected by her father, Charles M. Kurtz, who was a friend of Charles Freer.Also see Curatorial Remark 2 in the object record.[2] See note 1. Also see Freer Gallery of Art Purchase List after 1920 file, Collections Management Office.[3] See note 2. -
Collection
Freer Gallery of Art Collection -
Previous custodian or owner
Charles M. Kurtz (1855-1909)Isabel S. Kurtz (1901-1991) -
Origin
Japan -
Credit Line
Bequest of Isabel S. Kurtz -
Type
Vessel -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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