Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    ca. 1892
  • Geography

    Tokyo, Japan
  • Material

    Porcelain with cobalt and iron glazes
  • Dimension

    H x W x D: 11.5 x 9.5 x 9.5 cm (4 1/2 x 3 3/4 x 3 3/4 in)
  • Accession Number

    F1991.22
  • EDAN ID

    edanmdm:fsg_F1991.22

Object Details

  • Artist

    Attributed to Takemoto Hayata (1848-1892)
  • Description

    Pear-shaped vase with slightly everted rim, fairly short neck, and bulbous shape tapering to flat base with visible footring cut from sides and foot.
    Clay: Porcelain; footrim darkened on surface by use.
    Glaze: Brown (iron) glaze applied to interior, rim and base. Brown drained from rim during firing, leaving area white. Blue (cobalt) glaze, applied to exterior, is densest around the neck and sides of the body. Blue appears mottled on body and slightly pooled at the outer edge of the foot. Where the glaze has separated between the body and the foot, a band of white is revealed. Unglazed footrim.
    Decoration: none
    Mark: none
    Two paper labels: "CMK 30" and "KM 11". Sticker on base gives price of $20.00.
  • Marks

    Two paper labels: "CMK 30" and "KM 11". Sticker on base gives price of $20.00.
  • Label

    This vase was part of a collection formed by Charles M. Kurtz (1855-1909), during the period when he served as assistant art director for the 1893 World's Columbian Exposition in Chicago and art director for the 1904 Louisiana Purchase Centennial International Exposition in St. Louis. Kurtz's collecting focused on porcelain with highly colored glazed. Along with these pieces by prominent Japanese potters, Kurtz acquired vases of similar shapes and colors from American and European factories. Kurtz's collection, representative of a broad popular interest in Japanese art in the late nineteenth century, also reflects the growing internationalism in the decoration of ceramics resulting from rapid exchange of information and technology facilitated by the international fairs.
  • Provenance

    To ?
    Charles M. Kurtz (1855-1909). [1]
    To 1991
    Isabel S. Kurtz (1901-1991). [2]
    From 1991
    Freer Gallery of Art, bequest of Isabel S. Kurtz (1901-1991). [3]
    Notes:
    [1] Ms. Isabel Kurtz bequeathed the group of Asian ceramics, F1991.19-.44, to the Freer Gallery of Art.
    These objects had been collected by her father, Charles M. Kurtz, who was a friend of Charles Freer.
    Also see Curatorial Remark 2 in the object record.
    [2] See note 1. Also see Freer Gallery of Art Purchase List after 1920 file, Collections Management Office.
    [3] See note 2.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Japanese Art of the Meiji Era (September 20, 1997 to April 26, 1998)
  • Previous custodian or owner

    Charles M. Kurtz (1855-1909)
    Isabel S. Kurtz (1901-1991)
  • Origin

    Tokyo, Japan
  • Credit Line

    Bequest of Isabel S. Kurtz
  • Type

    Vessel
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring