Priest Yantou in a Boat

Detail of a pattern
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At A Glance

  • Period

    early 17th century
  • Geography

    Japan
  • Material

    Ink on paper
  • Dimension

    H x W: 28 x 52 cm (11 x 20 1/2 in)
  • Accession Number

    F1972.2
  • EDAN ID

    edanmdm:fsg_F1972.2

Object Details

  • Artist

    Shokado Shojo 松花堂昭乗 (1584-1639)
  • Calligrapher

    Kogetsu Sogan (1574-1643)
  • Label

    A collaborative work by two Buddhist monks, this painting and its inscription refer to the story of the ninth-century Buddhist priest Yantou Quanhuo, who had retreated from the widespread persecution of Buddhism to become a ferryman. Yantou exchanged questions and answers with those who joined him to cross Lake Dongting, but few answers satisfied him. The enigmatic inscription by Kogetsu Sogan, an abbot of the Daitokuji, reads from left to right:
    With indolence he faced the purge [of Buddhism];
    The lake water laps along a humble boat.
    He ferries more people coming than going;
    His wide open eyes see wind and mist.
    (Adapted from a translation by Yoshiaki Shimizu)
    Sogan, an accomplished calligrapher known for his large-character style, had broad contacts within artistic circles in Kyoto and elsewhere in Japan.
    It is possible that the painter Shokado Shojo, a priest of the Esoteric Shingon Buddhist sect, had seen an older version of this subject in a Chinese illustrated handscroll through his association with monks of the Kyoto Zen Buddhist monastery Daitokuji, who presided over a large art collection. Shokado was also an accomplished calligrapher whose aristocratic family connections are reflected in the style of his calligraphy seen in the handscroll exhibited in this gallery. His collaboration with Sogan for this work reflects the importance of Buddhist monks in the cultural life of early seventeenth-century Kyoto.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Japanese Art in the Age of Koetsu (June 6, 1998 to February 15, 1999)
    Japanese Art (May 9, 1993 to June 27, 1994)
    Literary Themes in Japanese Art (February 13, 1986 to March 9, 1987)
    A Decade of Discovery: Selected Acquisitions 1970-1980 (November 9, 1979 to May 22, 1980)
    Japanese Ceramics (April 11, 1978 to January 17, 1980)
    Japanese Calligraphy (April 18, 1977 to September 13, 1977)
    Japanese Art (July 1, 1974 to April 10, 1978)
  • Origin

    Japan
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

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