Body of incense burner, missing rim and foot, Cizhou ware

Detail of a pattern
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At A Glance

  • Period

    11th century
  • Geography

    Guantai kilns, Hebei province, China
  • Material

    Stoneware with white slip and pigment under colorless glaze
  • Dimension

    H x W: 14.6 x 14.9 cm (5 3/4 x 5 7/8 in)
  • Accession Number

    F1970.47
  • EDAN ID

    edanmdm:fsg_F1970.47

Object Details

  • Description

    Body of incense burner, missing rim and pedestal foot.
    Clay: buff stoneware. Glaze: outside only; transparent over white slip; varnish-like material coats unglazed mouth and runs inside.
    Decoration: incised and stamped in slip. Foliate scroll with 3 large blossoms (mallow?) on "ring-matted" ground. Ten-character inscription on panel. 西李大伯施/ 劉香爐 壹隻
  • Inscriptions

    Ten-character inscription on panel.
  • Label

    Without the inscription that reads "Liu presents this incense burner as one of a pair to a Buddhist temple," modern scholars might not have recognized this fragment as the midsection of a Cizhou-type incense burner. The shape of the incense burner and its "fish roe" background design are copied from a metal prototype that potters could inexpensively reproduce. Cizhou ceramics, which were made for the popular market, frequently bear calligraphy in the form of dedicatory inscriptions, homilies, and the names of pottery workshops.
  • Provenance

    From at least 1916 to 1970
    Eugene Meyer (1875-1959) and Agnes E. Meyer (1887-1970), New York, NY, Washington, DC, and Mt. Kisco, NY, from at least 1916 [1]
    From 1970
    Freer Gallery of Art, bequeathed by Agnes E. Meyer [2]
    Notes:
    [1] Eugene and Agnes E. Meyer lent this fragment of an incense burner to the Metropolitan Museum of Art exhibition in 1916, see S. C Bosch Reitz, Catalogue of An Exhibition of Early Chinese Pottery and Sculpture, exh. cat. (New York: Metropolitan Museum of Art, 1916), cat. 111 (ill.).
    [2] The object is included in a codicil to Agnes E. Meyer’s will and testament, dated December 23, 1969, copy in object file.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Beyond Paper: Chinese Calligraphy on Objects (August 18, 1994 to July 3, 1997)
  • Previous custodian or owner

    Eugene and Agnes E. Meyer ((1875-1959) and (1887-1970))
  • Origin

    Guantai kilns, Hebei province, China
  • Credit Line

    Gift of Eugene and Agnes E. Meyer
  • Type

    Vessel
  • Restrictions and Rights

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