Nirvana of the Buddha

Detail of a pattern
Image 1 of 3
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    early 14th century
  • Geography

    Japan
  • Material

    Ink, color, gold, and silver on silk
  • Dimension

    H x W (image): 195.8 x 189.1 cm (77 1/16 x 74 7/16 in)
  • Accession Number

    F1970.30
  • EDAN ID

    edanmdm:fsg_F1970.30

Object Details

  • Label

    This painting depicts the death of the Historical Buddha Sakyamuni and his entry into Nirvana, whereby he gains release from the cycles of birth, rebirth, and consequent suffering. Rolled for storage for much of each year, the painting was suspended from the beams at the altar of the temple Enmeiji in Mie Prefecture for the annual ceremony celebrating the Buddha's entry into Nirvana. The variety of mourners, including deities, humans, and animals, represent the universal power of Buddha's teachings. Beginning in Japan in the eighth century, the subject of Buddha entering Nirvana eventually became so popular that images were reproduced by woodblock printing.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Religious Art of Japan (December 18, 2002 to January 4, 2015)
    Life of a Japanese Painting (December 1, 1995 to October 16, 1996)
    Japanese Art (March 12, 1982 to November 3, 1986)
    Japanese Art (June 16, 1982 to September 28, 1982)
    Japanese Art (February 15, 1981 to March 3, 1981)
    A Decade of Discovery: Selected Acquisitions 1970-1980 (November 9, 1979 to May 22, 1980)
    Japanese Art (July 1, 1974 to April 10, 1978)
  • Origin

    Japan
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring