Akrura Invites Krishna and Balarama to Mathura

Detail of a pattern
Image 1 of 1
IIIF

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At A Glance

  • Period

    ca. 1525-40
  • Geography

    Delhi-Agra, North India
  • Material

    Opaque watercolor on paper
  • Dimension

    H x W (overall): 19.5 x 28.4 cm (7 11/16 x 11 3/16 in)
  • Accession Number

    F1966.32
  • EDAN ID

    edanmdm:fsg_F1966.32

Object Details

  • School/Tradition

    Pre-Mughal school
  • Provenance

    At least late 1965-1966
    Heeramaneck Galleries (active 1928-1964), New York, NY, method of acquisition unknown [1]
    From 1966
    Freer Gallery of Art, purchased from Heeramaneck Galleries [2]
    Notes:
    [1] See letter from Richard Ettinghausen to Nasli Heeramaneck, dated December 21, 1965, copy in object file. In Richard Ettinghausen’s letter, he asks Nasli Heeramaneck to send the seven paintings on offer, including F1966.31 and F1966.32, to the Freer Gallery of Art in the new year so they can be examined. F1966.31 is described as, “Murder scene with four women upstairs in house, Kulahda style.” 1966.32 is described as, “Shiva with Parvati, Ganesha, and Kartikeya, Kangra [school].”
    See also incoming receipt, dated January 11, 1966, copy in object file. The object was transferred from Heeramaneck Galleries to the Freer Gallery of Art for acquisition consideration on January 11, 1966. Object is described as, “Group of 7 paintings.”
    Heeramaneck Galleries in New York, NY owned and operated by Nasli M. (1902-1971) and Alice N. Heeramaneck (née Arvine) (1910-1993). The Heeramaneck’s were dealers and collectors of Pre-Columbian and Asian art. Nasli Heeramaneck began his career as a dealer in Paris during the 1920s and relocated to New York, NY in 1927. In 1939, Nasli married Alice Arvine, an American portrait painter from New Haven, CT. Nasli founded Heeramaneck Galleries in New York, NY by 1928. He began to retire in 1964 and liquidated some of the gallery’s stock at auction at Parke-Barnet, New York in 1964 and 1965. Many objects from the Heeramaneck collection were either purchased or donated to American museums. Items from their collection may be found in The British Museum; the Cleveland Museum of Art; Los Angeles County Museum; The Metropolitan Museum of Art; Museum of Fine Arts, Boston; National Museum of New Delhi; Virginia Museum of Fine Arts; and Yale University.
    [2] See object file for copy of the Heeramaneck Galleries invoice to Freer Gallery of Art, dated July 9, 1966, and marked approved on July 14, 1966. F1966.31 is described as, “Indian painting of a murder scene with four women upstairs in house, Kulahdar style, 16th century A.D.” F1966.32 is described as, “Indian painting of Krishna and Balaram, cow and attendants, Kulahdar style, 16th century A.D.”
    Research updated November 3, 2023
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Arts of the Indian Subcontinent and the Himalayas (October 16, 2004 to January 3, 2016)
    South and South East Asian Art (May 9, 1993 to February 7, 2000)
    The Imperial Image: Painting for the Mughal Court (September 25, 1981 to 30 March 1982)
    Indian Art (January 1, 1963 to January 28, 1981)
  • Previous custodian or owner

    Heeramaneck Galleries (active 1928-1964)
  • Origin

    Delhi-Agra, North India
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

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