Incense burner in shape of a tripod (li) with design of lotus and with three kinds of fruit (the "three plenties") on the underside of vessel

Detail of a pattern
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At A Glance

On View
  • Period

    15th or early 16th century; 14th century jade knob
  • Geography

    China
  • Material

    Enamels, brass, wire (cloisonné); with later gilt metal handles, wooden cover with Yuan dynasty jade knob
  • Dimension

    H x Diam (assembled): 18.4 × 19.4 cm (7 1/4 × 7 5/8 in)
  • Accession Number

    F1961.12a-b
  • EDAN ID

    edanmdm:fsg_F1961.12a-b

Object Details

  • Description

    Cloisonne incense burner in the shape of a tripod (li). Wooden cover with Yuan dynasty jade hat finial used as a knob.
  • Label

    It was customary to burn incense in front of ancestor portraits or religious paintings as a sign of reverence, and the smoke was a symbolic link between the earthly realm and the heavenly world. This cloisonné incense burner with stylized lotus flowers is of such high quality that it may have been made for use in the imperial palace. Three symbols of luck appear on the underside: a peach for immortality, a pomegranate for numerous heirs, and an orange for good fortune. Cloisonné is made by outlining a design in wires that are soldered onto a metal body and then filling the cells, or cloisons, with powdered enamel. After firing, the enamel becomes glasslike.
    The wooden cover, which is later than the incense burner, has a jade knob made from a Yuan dynasty (1279-1368) hat finial.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Looking Out, Looking In: Art in Late Imperial China (October 14, 2017 - ongoing)
    Tales of the Brush: Literary Masterpieces in Chinese Painting (July 28, 2007 to January 13, 2008)
    Luxury and Luminosity: Visual Culture and the Ming Court (July 3, 2004 to June 26, 2005)
    Worshipping the Ancestors: Chinese Commemorative Portraits (June 17 to September 9, 2001)
    On Becoming Immortal (May 9, 1993 to August 15, 1994)
    Chinese Art (May 9 to November 29, 1993)
  • Origin

    China
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Vessel
  • On View

    Freer Gallery 13: Looking Out, Looking In: Art in Late Imperial China
  • Restrictions and Rights

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