Consort Yang Mounting a Horse 楊妃上馬圖

Detail of a pattern
Image 1 of 9
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    14th century
  • Geography

    China
  • Material

    Ink and color on paper
  • Dimension

    H x W (image): 29.5 x 117 cm (11 5/8 x 46 1/16 in)
  • Accession Number

    F1957.14
  • EDAN ID

    edanmdm:fsg_F1957.14

Object Details

  • Artist

    Traditionally attributed to Qian Xuan 錢選 (late 13th century)
  • Label

    Qian Xuan was foremost among the group of artists who in the early years of the Yuan dynasty revived ancient styles and fused them with their own innovations to create a new and viable artistic vocabulary. In subject matter, this painting is an obvious reference to the past. The Tang dynasty emperor Minghuang (reigned 713-756), seated astride a horse, is watching his favorite concubine, Yang Guifei being helped onto her saddle by maid-servants and attendants. Qian Xuan's use of precise outline and flat color, as well as his arrangement of the figures against a blank background, reflect his awareness of the achievements of Tang dynasty artists. But a new sense of detached restraint which pervades the painting is typical of Qian Xuan's work and characteristic of Yuan dynasty archaism in general.
    There is another version of this scroll in the Shanghai Museum.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Old Tales Retold: Narrative in Chinese Painting (April 20 to October 20, 2013)
    Women in Chinese Painting (November 9, 2013 to April 27, 2014)
    Tales of the Brush: Literary Masterpieces in Chinese Painting (July 28, 2007 to January 13, 2008)
    In Human Form: Images of the Secular and Divine in Chinese Painting (January 31, 1996 to January 7, 1997)
    Masterpieces of Chinese Painting (I) (August 3, 1984 to February 7, 1985)
    Chinese Figure Painting (September 17, 1973 to January 3, 1975)
    Chinese Art (January 1, 1963 to March 6, 1981)
    Chinese Paintings (June 5, 1957 to January 1, 1963)
  • Origin

    China
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring