Writing box (suzuribako) executed in relief (makie) and other lacquer techniques

Detail of a pattern
Image 1 of 5
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    19th century
  • Geography

    Japan
  • Material

    Lacquer
  • Dimension

    H x W x D: 4.1 x 17.7 x 24.1 cm (1 5/8 x 6 15/16 x 9 1/2 in)
  • Accession Number

    F1955.24a-e
  • EDAN ID

    edanmdm:fsg_F1955.24a-e

Object Details

  • Artist

    Kajikawa
  • Description

    Writing box (suzuribako) executed in relief (makie) and other lacquer techniques, depicting figures scurrying for shelter from a storm orchestrated by the Thunder God.
  • Label

    Legendary and theatrical references abound in the decoration of the cover of this lacquer box for an inkstone, a water dropper, and writing brushes. The Wisteria Maiden (Fuji Musume), whose silvery facial features have oxidized to bluish black, is a common subject of Otsu-e, a type of folk painting sold in the town of Otsu near Lake Biwa. In nineteenth-century kabuki, the Wisteria Maiden became the focus of a dance expressing unrequited love to the vocal and instrumental music of a nagauta (literally, "long song"). With her is a praying demon, another figure often seen in Otsu-e. The Thunder God rushes down from above, beating his ring of drums as the couple takes shelter from a rainstorm. The ornate pictorial decoration of this box was created by an artist who had mastered maki-e techniques, which employ powders and particles of gold and other material to create intricate designs.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    The Floating World: Ukiyo-e Paintings and Prints (December 8, 2002 to May 26, 2003)
    Surveying the Collections: Poets and Parties (July 2, 2000 to February 4, 2001)
    Japanese and Chinese Lacquer (September 22, 1982 to June 30, 1983)
    Japanese Lacquer (April 16, 1979 to October 8, 1980)
    Japanese Ukiyo-e Painting (May 2, 1973 to July 1, 1974)
    Japanese Art, Galleries 3, 4, and 5 (January 1, 1963 to September 16, 1970)
    Centennial Exhibition, Galleries 3 and 4 (February 25, 1956 to January 1, 1963)
  • Origin

    Japan
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Container
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring