Emperor Jahangir Embraces Shah Abbas
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
ca. 1618; margins 1747–48 -
Geography
India -
Material
Opaque watercolor, ink, silver and gold on paper -
Dimension
H x W: 23.8 x 15.4 cm (9 3/8 x 6 1/16 in) -
Accession Number
F1945.9a -
EDAN ID
edanmdm:fsg_F1945.9a
Object Details
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Artist
Abu'l Hasan (born 1588 or 1589) -
Borders
Muhammad Sadiq -
Court
Mughal Court -
School/Tradition
Mughal school -
Label
This brilliantly executed painting from the St. Petersburg album is one of several allegorical representations of Jahangir by Abu'l Hasan, one of the finest painters of the imperial atelier.The radiant and powerful Jahangir is depicted comforting his meek, submissive cousin, Shah Abbas of Iran. This has nothing to do with historical fact, however, and is pure wish-fulfillment on Jahangir's part. The rulers were intense rivals, the focus of their mutual antagonism centering on Qandahar, in Afghanistan, a territory and fortress under Mughal control. (See also F1942.16a) -
Collection
Freer Gallery of Art Collection -
Exhibition History
Body Image (October 14, 2017 - ongoing)Fish-teeth and Friendship (December 10 to December 30, 2015)Worlds within Worlds: Imperial Paintings from India and Iran (July 28 to September 16, 2012)Encompassing the Globe: Portugal and the World in the 16th and 17th Centuries (June 24 to September 16, 2007)Arts of the Indian Subcontinent and the Himalayas (October 16, 2004 to January 3, 2016)Masterworks of Indian Painting (December 13, 1997 to June 13, 1998)South and South East Asian Art (May 9, 1993 to February 7, 2000)The Arts of South Asia (May 13, 1985 to December 2, 1985)Indian Art (January 1, 1963 to January 28, 1981)Special Exhibition Afghanistan (September 3, 1963 to June 5, 1964)Untitled Exhibition, South Asian Art, Gallery 8 (July 15, 1958 to January 1, 1963)Special Exhibition, Near Eastern Art (September 15, 1953 to February 9, 1954) -
Origin
India -
Credit Line
Purchase — Charles Lang Freer Endowment -
Type
Painting -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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