Box for Writing Equipment (suzuribako)

Detail of a pattern
Image 1 of 2
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    17th century
  • Geography

    Japan
  • Material

    Lacquer, gold, silver, wood; silvered metal water dropper and stone
  • Dimension

    H x W x D: 5 x 21.6 x 23.7 cm (1 15/16 x 8 1/2 x 9 5/16 in)
  • Accession Number

    F1944.22a-k
  • EDAN ID

    edanmdm:fsg_F1944.22a-k

Object Details

  • Artist

    Matasune
  • Label

    The design of flowering autumn grasses is featured on the surfaces of this box. On the lid under a crescent moon, are hagi (bush clover), susuki (pampas grass), fujibakama (ague weed), ominaeshi (valerian), and yomena (aster). The underside of the lid and the interior tray are both decorated with nadeshiko (pinks).
    On the rock surfaces depicted on the cover, three silver hiragana symbols (cursive phonetic script) can be detected and combined to make the word nezame (awakening from sleep). The script, cleverly embedded into the linearity of the picture, is the central feature of the uta-e (poem-picture).
    The anonymous poem alluded to by the three-syllable clue nezame is included in the early tenth-century anthology, Kokinshu (collection of poems ancient and modern).
    It reads:
    It is not the autumn dew
    That has dropped on my pillowing sleeve
    As I awaken.
    The box contains an inkstone for grinding solid ink and a water dropper, and would have contained writing brushes.
  • Provenance

    From at least 1933-to 1943 
    Alexander George Mosle (1862-1945), possibly purchased in Japan [1]  
    1943-1944 
    A. Henry Mosle (1866-1957), held a lien on Alexander George Mosle’s collection through a Deed of Trust – Chattels [2]
    From 1944 
    The Freer Gallery of Art, purchased from Alexander Mosle through A. Henry Mosle [3] 
    Notes:
    [1] See Alexander George Moslé, “The Mosle Collection: Descriptive Catalogue to be used in Connection with the Illustrations of ‘Japanese works of art’ selected from the Mosle Collection – Portfolio II” [book] (Leipzig: Poeschel & Trepte, 1933), vol. II, cat. 1683, p. 34. Alexander Mosle was a businessman who lived in Japan from 1884-1907, during which time he began collecting Japanese works of art.
    [2] See June 17, 1943 Deed of Trust – Chattels, between Alexander G. Mosle and Jesse Knight and Eugene W. Goodwillie, trustees on behalf of A. Henry Mosle. Alexander was indebted to his cousin Henry, and his entire collection of Japanese Art was secured as chattel for the debt under the terms of the Deed. See original Deed of Trust – Chattels in object file. 
    [3] The Freer Gallery of Art paid A. Henry Mosle and Alexander G. Mosle separate payments on May 29, 1944, approved on May 27, 1944. See also April 28, 1944 letter from A.G. Wenley to Alexander Mosle wherein Wenley indicates which items the Freer wishes to purchase from Mosle’s inventory list. See also May 26, 1944 letter from A. Henry Mosle to Alan C. Maxwell, charging Maxwell to act as agent for Henry, in the matter of the release of the Deed of Trust – Chattels at the sale of the selected objects from Alexander’s collection to the Freer. See object file for copy of invoice, letters, and original Release of Deed of Trust - Chattels. 
    Research updated January 12, 2023
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Moonlight and Clouds: Silver and Gold in the Arts of Japan (November 11, 2008 to November 11, 2009)
    East of Eden: Gardens in Asian Art (February 24 to May 13, 2007)
    Games, Contests and Artful Play in Japan (March 19 to October 23, 2005)
    Surveying the Collections: Poets and Parties (July 2, 2000 to February 4, 2001)
    Japanese Art (April 13 to November 21, 1995)
    From Concept to Context: Approaches to Asian and Islamic Calligraphy (July 28, 1986 to February 6, 1987)
    Autumn Colors (October 19 to December 20, 1984)
    Japanese and Chinese Lacquer (September 22, 1982 to June 30, 1983)
    Japanese Lacquer (18 May 1980 to 15 June 1980)
    Japanese Lacquer (April 16, 1979 to October 8, 1980)
    Birds and Flowers of the Four Seasons in Japanese Art (September 14, 1977 to April 8, 1978)
    Bicentennial Exhibition: Japanese Art (December 15, 1975 to November 10, 1976)
    Chinese and Japanese Art--Lacquer and Paintings (August 18, 1967 to October 14, 1969)
  • Previous custodian or owner

    Alexander G. Mosle (1863 - 1945)
    A. Henry Mosle
  • Origin

    Japan
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Container
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring