Spouted ritual vessel (he) with dragons

Detail of a pattern
Image 1 of 2
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    ca. 1200-1150 BCE
  • Geography

    Anyang, probably Henan province, China
  • Material

    Bronze
  • Dimension

    H x W x D (assembled): 18.4 × 18.7 × 21.6 cm (7 1/4 × 7 3/8 × 8 1/2 in)
  • Accession Number

    F1942.1a-b
  • EDAN ID

    edanmdm:fsg_F1942.1a-b

Object Details

  • Description

    Ceremonial vessel, type huo; cover in the form of a human face with horns. Patination: outside, gray-green with sparse malachite incrustations; inside, gray, gray-green, malachite, cuprite, azurite and calcareous deposit.
  • Label

    Does the lid of this vessel show a Chinese dragon with a human face, or a person changing into a horned serpent? While it may seem cartoonish today, the haunting combination of the familiar and the supernatural might represent the mysteries of the spirit world, thus transforming a simple pear-shaped ewer (he) into an intriguing piece of sculpture.
    The head connects to a reptilian body that spirals around the container to end with a pointed tail. Two clawed arms reach forward towards the spout, which is held in the mouths of smaller coiling dragons. This unique ewer was probably made in a major bronze casting center in one of China’s southern provinces.
  • Provenance

    Excavated in Anyang, Henan province, China [1]
    From 1940 to 1941
    C. T. Loo & Company, New York from November 1940 [2]
    From 1941
    Freer Gallery of Art, purchased from C. T. Loo & Company on September 29, 1941 [3]
    Notes:
    [1] According to Mizuno Seiichi, In Shu seidoki to tama (Tokyo, Nihon Keizai Shinbunsha, 1959), p. 63, pls. 40, 41.
    [2] See C. T. Loo's stockcard no. 87003: "Bronze jar with cover Chou
    Bronze TSUN with cover in the form of a Human mask with ornaments. Turquoise patina SHANG," C. T. Loo & Frank Caro Archive, Musée Guimet, Paris, copy in object file. The object was taken by Loo to the Freer Gallery for examination on January 17, 1941.
    [3] See C. T. Loo's invoice, dated September 29, 1941, copy in object file.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Anyang: China's Ancient City of Kings (February 25, 2023 to April 28, 2024)
    Ancient Chinese Jades and Bronzes (November 20, 2010 to January 3, 2016)
    Ancient Chinese Bronzes (May 9, 1993 to February 10, 1997)
    Chinese Art (February 18, 1983 to April 1, 1987)
    Chinese Art (June 15, 1982 to September 24, 1982)
    Chinese Art (March 15, 1982 to June 15, 1982)
    Chinese Art (March 9, 1981 to March 12, 1982)
    Chinese Art (January 1, 1963 to March 6, 1981)
    Chinese Bronze, Jade, Marble (March 1, 1957 to January 1, 1963)
    Centennial Exhibition, Galleries 14 and 15 (February 25, 1956 to March 1, 1957)
    Untitled Exhibition, Ancient Chinese Art, 1955 (October 24, 1955 to February 25, 1956)
    Untitled Exhibition, Ancient Chinese Jade and Bronze (August 26, 1955 to October 25, 1955)
    Untitled Exhibition, Ancient Chinese Art, 1945 (January 9, 1945 to August 20, 1955)
    Untitled Exhibition, Ancient Chinese Art, 1944 (December 13, 1944 to May 7, 1946)
    Untitled Exhibition, Chinese Metalwork, 1943 (March 22, 1943 to December 13, 1944)
  • Previous custodian or owner

    C.T. Loo & Company (1914-1948)
  • Origin

    Anyang, probably Henan province, China
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Vessel
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring