Folio from a Shahnama (Book of kings) by Firdawsi (died 1020); recto: text and illustration: Kay Khusraw crossing the sea; verso: text

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At A Glance

  • Period

    1341 (741 A.H.)
  • Geography

    Shiraz, Iran
  • Material

    Ink, opaque watercolor and gold on paper
  • Dimension

    H x W: 13.3 x 24.1 cm (5 1/4 x 9 1/2 in)
  • Accession Number

    F1942.12
  • EDAN ID

    edanmdm:fsg_F1942.12

Object Details

  • Description

    Detached folio from a dispersed copy of the Shahnama (Book of kings) by Firdawsi; text: Persian in black naskh script; heading in red; recto: illustration and text: Kay Khusraw crossing the sea, 6 columns, 20 lines; verso: text: 6 columns, 30 lines; one of a group of 7 folios.
  • Label

    The Shahnama (Book of kings) was completed by the poet Firdawsi in about 1010 and consists of some fifty thousand verses. Recounting Iran's mythical and historical past--from the rule of the legendary Pishdadian dynasty (when time began) to the fall of the Sasanian dynasty in 651--Firdawsi's epic represents the most popular illustrated text in the Islamic world.
    The painting on view is from one of the earliest surviving copies of the Shahnama, completed during the rule of the Inju dynasty (1325-53) in Iran's southern province of Fars. It depicts the mythical Persian king Kay-Khusraw, whose long and bitter conflict with Afrasiyab, the king of Turan (lands to the east of Iran), embodies one of the text's central themes--the battle between good and evil. During one of his many campaigns to vanquish his enemy, Kay-Khusraw crosses the sea and arrives at a place known as the "Lion's Mouth," where he observes lions fighting oxen in the waves, men with hair like lassos, a fish with a leopard's head, and a crocodile with the head of an onager. Such lively descriptive passages, mixing fact and fantasy, offered artists ample opportunity to exhibit their creative talents.
  • Provenance

    To 1919
    Unknown owner, Persia, to 1919 [1]
    From 1919 to 1942
    Dikran G. Kelekian, Inc., New York received from Persia in 1919 [2]
    From 1942
    Freer Gallery of Art, purchased from Dikran G. Kelekian, Inc., New York, in 1942 [3]
    Notes:
    [1] According to Curatorial Remark 3, G.D.G, 1942, in the object record: the manuscript "from which the two leaves (F1942.11, F1942.12) were taken was brought to Mr. Kelekian from Persia in 1919."
    [2] See note 1. Also, see Freer Gallery or Art Purchase List after 1920, Collections Management Office.
    [3] See note 2.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Arts of the Islamic World (May 3, 1998 to January 3, 2016)
    Art of the Near East (August 21, 1977 to December 14, 1979)
    Near Eastern Art (June 15, 1973 to May 7, 1975)
    2500 Years of Persian Art—Paintings, Metalwork (February 10, 1972 to June 15, 1973)
    Near Eastern Art (January 1, 1963 to August 18, 1967)
    Centennial Exhibition, Galleries 6 and 7 (February 25, 1956 to April 10, 1962)
    Special Exhibition (February 9, 1954 to April 20, 1954)
    Untitled Exhibition, Islamic Manuscripts, 1947 (October 6, 1947 to February 25, 1956)
    Untitled Exhibition, Persian Manuscripts (May 5, 1933 to September 22, 1947)
  • Previous custodian or owner

    Dikran G. Kelekian, Inc.
  • Origin

    Shiraz, Iran
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Manuscript
  • Restrictions and Rights

    Usage Conditions Apply

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