Folio from a Qur'an, Sura 5:52-54

Detail of a pattern
Image 1 of 2
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    11th-12th century
  • Geography

    Afghanistan
  • Material

    Ink, opaque watercolor, and gold on paper
  • Dimension

    H x W: 32.3 x 21.4 cm (12 11/16 x 8 7/16 in)
  • Accession Number

    F1939.56
  • EDAN ID

    edanmdm:fsg_F1939.56

Object Details

  • Description

    Detached folio from a dispersed copy of the Qur'an; recto: Sura al-Ma'ida (the Table Spread) 5: part of verse 52, 53, recto begins with "ya'tia bi'l fathi"; verso: sura 5:53 and part of 54, verso begins with "bi Allahi"; Arabic in black "eastern kufic (New Style)" script; illuminated inscribed verse markers; vocalized in red, tashdid and sukun in blue, letters for recitation in brown; one column; 4 lines of text.
    Border: The text area is filled with palmette scrolls and set within an illuminated frame that terminates at the top and bottom in a semi-medallion.
  • Label

    By the eleventh century, a number of distinct kufic scripts had developed. In Iran, the letters became more refined, characterized by elongated vertical strokes with left-facing flourishes. In this folio, from a now-dispersed copy of the Qur'an, the vegetal scroll design, usually reserved for discrete areas of illumination, serves as a backdrop to the elegantly proportioned words. This is the only known Qur'an decorated in this unusual and elaborate manner.
  • Provenance

    ?-1939
    Heeramaneck Galleries, New York, method of acquisition unknown [1]
    From 1939
    Freer Gallery of Art, purchased from Heeramaneck Galleries, New York [2]
    Notes:
    [1] See object file for copy of Freer Gallery of Art vault record, showing that the object was delivered to the Freer for examination, by Mr. Nasli Heeramaneck, on October 2, 1939. The object is listed as “No. 3 Page from a Koran.” Nasli M. Heeramaneck (1902-1971) was born in Bombay and became a collector and dealer of Islamic, Central Asian, and Pre-Columbian antiquities. He had eponymous galleries, initially in Paris in the 1920s and then in New York in the 1930s. In New York he met and married American painter Alice Arvine (1910-1993). Alice became an active partner in the gallery and their collecting pursuits.
    [2] See object file for copy of Heeramaneck Galleries invoice to the Freer Gallery of Art, dated November 30, 1939, and approved by the Secretary of the Smithsonian on November 22, 1939. The object is described as “1 Illuminated page from a Koran, Arabic, 11th-12th century.”
    Research updated October 11, 2023
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Engaging the Senses (October 14, 2017 - ongoing)
    Arts of the Islamic World (May 3, 1998 to January 3, 2016)
    Islamic Art (May 9, 1993 to June 3, 1997)
    Islamic Calligraphy (May 14, 1981 to June 24, 1982)
    Art of the Near East (August 21, 1977 to December 14, 1979)
    Near Eastern Art (June 15, 1973 to May 7, 1975)
    2500 Years of Persian Art—Calligraphy (February 10, 1972 to June 15, 1973)
    Near Eastern Art--Calligraphy (August 18, 1967 to February 10, 1972)
    Near Eastern Art (January 1, 1963 to August 18, 1967)
    Islamic Art, Gallery 6A (July 22, 1958 to June 5, 1964)
  • Previous custodian or owner

    Heeramaneck Galleries (active 1928-1964)
  • Origin

    Afghanistan
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Manuscript
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring