Folio from a Qur'an

Detail of a pattern
Image 1 of 2
IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    1313
  • Geography

    Egypt
  • Material

    Ink, opaque watercolor and gold on paper
  • Dimension

    H x W: 34.3 x 25.9 cm (13 1/2 x 10 3/16 in)
  • Accession Number

    F1938.15
  • EDAN ID

    edanmdm:fsg_F1938.15

Object Details

  • Calligrapher

    Shadhi ibn Muhammad ibn Ayyub
  • Description

    Detached folio from a dispersed copy of the Qur'an; recto: Sura al-Sajdah (the Prostration) 32:1-9 and part of 10, one column, 10 lines of text; verso: sura 32: 10-20 and a few phrases of 21, one column, 11 lines of text; Arabic in gold naskhi script outlined in black; heading in gold floriated kufic script on a blue ground; illuminated verse markers; marginal medallions; vocalized in gold and blue; one of a group of 2 folios.
  • Label

    By the fourteenth century, the main text of the Qur'an was written exclusively in one of several cursive scripts, while the angular, or kufic, style was reserved primarily for the chapter headings. Among the most popular Qur'anic scripts was naskh, which was admired particularly in fourteenth century Egypt for its legibility and fluidity. This sumptuous, detached folio is from a copy of the Qur'an executed in gold naskh and outlined in black; the script tends to be densely packed with equal balance given to the vertical and horizontal strokes. Prominent medallions indicate the verse endings, while the new chapter heading, written in elegant kufic, is set in a cartouche at the top. According to its colophon, the manuscript was copied for Nasir al-Din Muhammad, the Mamluk ruler of Egypt and Syria (reigned 1294-95, 1299-1309, 1309-40).
  • Provenance

    To 1938
    Kirkor Minassian (1874-1944), New York. [1]
    From 1938
    Freer Gallery of Art, purchased from Kirkor Minassian, New York. [2]
    Notes:
    [1] Curatorial Remark 1 in the object record.
    [2] See note 1.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Engaging the Senses (October 14, 2017 - ongoing)
    Arts of the Islamic World (May 3, 1998 to January 3, 2016)
    From Concept to Context: Approaches to Asian and Islamic Calligraphy (July 28, 1986 to February 6, 1987)
    Art of the Mamluks (May 14, 1981 to May 25, 1982)
    Untitled Exhibition, Persian and Near Eastern Art (May 5, 1933 to September 24, 1947)
  • Previous custodian or owner

    Kirkor Minassian (1874-1944)
  • Origin

    Egypt
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Manuscript
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring