Two demons, fettered

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    15th century
  • Geography

    Iran or Central Asia
  • Material

    Ink, opaque watercolor and gold on paper
  • Dimension

    H x W (painting): 14.6 × 22.1 cm (5 3/4 × 8 11/16 in)
  • Accession Number

    F1937.25
  • EDAN ID

    edanmdm:fsg_F1937.25

Object Details

  • Description

    Tinted drawing with additions of gold on paper.
  • Label

    Timurid princes were passionate collectors of Chinese luxury goods, a practice that inspired local artists to experiment with the new styles and motifs found on such imports and to integrate them into their own work.
    One intriguing and enigmatic series of drawings and paintings that incorporates Chinese pictorial conventions shows monsters and demons (div) in various activities and poses. These wild, highly expressive creatures contrast sharply with the elegant and emotionally reserved men and women typically seen in Timurid paintings and recall Central Asian and Chinese models and techniques. Frequently, the demons appear with familiar objects, as seen in this remarkable tinted drawing. The one on the right, for instance, plays a spiked fiddle (kamancha), a musical instrument that was popular in Iran and Central Asia. His companion holds a gold cup and a Chinese blue-and-white bottle decorated with a writhing dragon. The style and technique of drawing also owes more to Chinese than Persian pictorial conventions. Both ferocious and comical, these fantastic figures are among the most distinct and powerful images created during the fifteenth century.
  • Provenance

    To at least 1931
    Sakisian Collection. [1]
    To 1937
    Hagop Kevorkian (1872-1962), New York. [2]
    From 1937
    Freer Gallery of Art, purchased from Hagop Kevorkian, New York. [3]
    Notes:
    [1] Curatorial Remark 3 in the object record.
    [2] Curatorial Remark 1 in the object record.
    [3] See note 2.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Engaging the Senses (October 14, 2017 - ongoing)
    In the Realm of Princes: The Arts of the Book in Fifteenth Century Iran and Central Asia (March 19 to August 7, 2005)
    Arts of the Islamic World (May 3, 1998 to January 3, 2016)
    From the Hand of Mani (January 18, 1985 to July 5, 1985)
    The Brush of the Masters: Drawings from Iran (October 14, 1978 to May 30, 1979)
    Ceramics from the World of Islam (January 16, 1974 to July 1, 1974)
    Special Exhibition Afghanistan (September 3, 1963 to June 5, 1964)
    Centennial Exhibition, Galleries 6 and 7 (February 25, 1956 to April 10, 1962)
    Untitled Exhibition, Islamic Manuscripts, Pottery, Metalwork, and Glass (April 12, 1955 to November 21, 1955)
    Untitled Exhibition, Islamic Arts, 1947 (October 6, 1947 to February 25, 1956)
    Untitled Exhibition, Islamic Manuscripts (May 1, 1945 to September 25, 1947)
    International Exhibition of Persian Art (January 7 to March 7, 1931)
  • Previous custodian or owner

    Sakisian Collection
    Hagop Kevorkian (1872-1962)
  • Origin

    Iran or Central Asia
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Drawing
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring