Krisna and Radha: folio from a Rasikapriya
![Detail of a pattern](https://asia.si.edu/wp-content/themes/custom/nmaa/nmaa-frontend/public/images/hero-bkgrnd-desktop.jpg)
Terms of Use
Usage Conditions ApplyAt A Glance
-
Period
ca. 1634 -
Geography
Madhya Pradesh state, Malwa, India -
Material
Opaque watercolor and gold on paper -
Dimension
H x W: 20.5 x 15.7 cm (8 1/16 x 6 3/16 in) -
Accession Number
F1935.2 -
EDAN ID
edanmdm:fsg_F1935.2
Object Details
-
Court
Malwa Court -
School/Tradition
Central Indian school -
Provenance
At least 1934-1935Heeramaneck Galleries (active 1928-1964), New York, NY, method of acquisition unknown [1]From 1935Freer Gallery of Art, purchased from Heeramaneck Galleries [2]Notes:[1] See object file for copy of Heeramaneck Galleries invoice to Freer Gallery of Art, dated February 1, 1935 (stamped as received on December 28, 1934), and marked approved on February 2, 1935. Object is described as, “Rajput painting: Krishna making advances to Radha, while gopis (herd-girls) turn their heads away in embarrassment.”Heeramaneck Galleries in New York, NY owned and operated by Nasli M. (1902-1971) and Alice N. Heeramaneck (née Arvine) (1910-1993). The Heeramaneck’s were dealers and collectors of Pre-Columbian and Asian art. Nasli Heeramaneck began his career as a dealer in Paris during the 1920s and relocated to New York, NY in 1927. In 1939, Nasli married Alice Arvine, an American portrait painter from New Haven, CT. Nasli founded Heeramaneck Galleries in New York, NY by 1928. He began to retire in 1964 and liquidated some of the gallery’s stock at auction at Parke-Barnet, New York in 1964 and 1965. Many objects from the Heeramaneck collection were either purchased or donated to American museums. Items from their collection may be found in The British Museum; the Cleveland Museum of Art; Los Angeles County Museum; The Metropolitan Museum of Art; Museum of Fine Arts, Boston; National Museum of New Delhi; Virginia Museum of Fine Arts; and Yale University.[2] See note 1.Research updated November 1, 2023 -
Collection
Freer Gallery of Art Collection -
Exhibition History
South and South East Asian Art (May 9, 1993 to February 7, 2000)Hindu and Buddhist Art (January 28, 1981 to September 24, 1981)Indian Art (January 1, 1963 to January 28, 1981)Untitled Exhibition, South Asian Art, Gallery 8 (July 15, 1958 to January 1, 1963)Centennial Exhibition, West Corridor (February 25, 1956 to July 11, 1958)Untitled Exhibition, South Asian Painting, 1955 (October 24, 1955 to November 28, 1955)Untitled Exhibition, South Asian Paintings and Sculpture (October 2, 1947 to February 25, 1956)Untitled Exhibition, South Asian Paintings, Gallery 7 (January 10, 1945 to October 2, 1947)Untitled Exhibition, South Asian Paintings, Gallery 4 (May 5, 1933 to January 9, 1945) -
Previous custodian or owner
Heeramaneck Galleries (active 1928-1964) -
Origin
Madhya Pradesh state, Malwa, India -
Credit Line
Purchase — Charles Lang Freer Endowment -
Type
Painting -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.
Keep Exploring
-
Related Resources
-
Date
-
Name
-
Place
-
Topic
-
Culture
-
Object Type