A woman at prayer
![Detail of a pattern](https://asia.si.edu/wp-content/themes/custom/nmaa/nmaa-frontend/public/images/hero-bkgrnd-desktop.jpg)
Terms of Use
Usage Conditions ApplyAt A Glance
-
Period
ca. 1660 -
Geography
Bikaner (painting), Lucknow (borders), Rajasthan state, India -
Material
Color and gold on paper -
Dimension
H x W: 13.5 x 6.5 cm (5 5/16 x 2 9/16 in) -
Accession Number
F1934.15 -
EDAN ID
edanmdm:fsg_F1934.15
Object Details
-
Provenance
Probably 1933-1934Heeramaneck Galleries (active 1928-1964), New York, NY, method of acquisition unknown probably in India [1]From 1934Freer Gallery of Art, purchased from Heeramaneck Galleries [2]Notes:[1] See Alvan C. Eastman, “Catalog of the Heeramaneck Collection of Early Indian Sculptures, Paintings, Bronzes and Textiles” [exhibition catalogue], (New York, NY: Heeramaneck Galleries, 1934), p. 18, cat. 51, plate no. 51, p. 45 (illustrated, detail).See also “Art of India Displayed in Comprehensive New York Show” [newspaper article] from “The Art Digest,” January 15, 1934, p. 9. The newspaper article states that “Mr. [Nasli H.] Heeramaneck has just returned from India where he passed several months in assembling the objects.”See untitled temporary deposit receipt, dated February 26, 1934, copy in object file. The object was transferred from Heeramaneck Galleries to the Freer Gallery of Art for acquisition consideration on February 26, 1934. Object is listed by dealer number, “No. 51.”Heeramaneck Galleries in New York, NY owned and operated by Nasli M. (1902-1971) and Alice N. Heeramaneck (née Arvine) (1910-1993). The Heeramaneck’s were dealers and collectors of Pre-Columbian and Asian art. Nasli Heeramaneck began his career as a dealer in Paris during the 1920s and relocated to New York, NY in 1927. In 1939, Nasli married Alice Arvine, an American portrait painter from New Haven, CT. Nasli founded Heeramaneck Galleries in New York, NY by 1928. He began to retire in 1964 and liquidated some of the gallery’s stock at auction at Parke-Barnet, New York in 1964 and 1965. Many objects from the Heeramaneck collection were either purchased or donated to American museums. Items from their collection may be found in The British Museum; the Cleveland Museum of Art; Los Angeles County Museum; The Metropolitan Museum of Art; Museum of Fine Arts, Boston; National Museum of New Delhi; Virginia Museum of Fine Arts; and Yale University.[2] See object file for copy of Heeramaneck Galleries invoice, issued by Nasli H. Heeramaneck, to Freer Gallery of Art, dated March 21, 1934, and marked approved on April 20, 1934. Object is described as “Woman at Worship.”Research updated September 1, 2023 -
Collection
Freer Gallery of Art Collection -
Exhibition History
Female Imagery in Indian Painting (February 9 to August 5, 1996)South and South East Asian Art (May 9, 1993 to February 7, 2000)Untitled Exhibition, South Asian Painting, 1955 (October 24, 1955 to November 28, 1955)Untitled Exhibition, South Asian Paintings and Sculpture (October 2, 1947 to February 25, 1956)Untitled Exhibition, South Asian Paintings, Gallery 7 (January 10, 1945 to October 2, 1947)Untitled Exhibition, South Asian Paintings, Gallery 4 (May 5, 1933 to January 9, 1945) -
Previous custodian or owner
Heeramaneck Galleries (active 1928-1964) -
Origin
Bikaner (painting), Lucknow (borders), Rajasthan state, India -
Credit Line
Purchase — Charles Lang Freer Endowment -
Type
Mixed Media -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.
Keep Exploring
-
Related Resources
-
Date
-
Name
-
Place
-
Topic
-
Culture
-
Object Type