Detached folio from a Qur'an, sura 34:54; sura 35:1-3

Detail of a pattern
Image 1 of 2
IIIF

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At A Glance

  • Period

    10th century
  • Geography

    probably Iran
  • Material

    Ink, color and gold on parchment
  • Dimension

    H x W: 12.2 x 16 cm (4 13/16 x 6 5/16 in)
  • Accession Number

    F1932.55
  • EDAN ID

    edanmdm:fsg_F1932.55

Object Details

  • Description

    Detached folio from a Qur'an; right-hand half verso: Sura Fatir (Originator), sura 35: parts of verse 2 and 3, verso begins with "lahu-min"; left-hand half recto: Sura Saba (Sheba), sura 34: part of verse 54, recto begins with "yashtahun", illuminated title band with marginal palmette projection, Sura Fatir (Originator), sura 35:1; Arabic in black "eastern kufic (New Style)" script with gold rosette verse markers; chapter heading in white; vocalized in red and yellow, tashdid and sukun in blue, hamza in green; one column; 5 lines of text; one of a group of 3 folios.
  • Provenance

    To 1932
    Arthur Upham Pope, New York to 1932 [1]
    From 1932
    Freer Gallery of Art, purchased from Arthur Upham Pope, New York in 1932 [2]
    Notes:
    [1] Object file, undated folder sheet note.
    [2] See note 1. Also see Freer Gallery of Art Purchase List file, Collections Management Office.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Engaging the Senses (October 14, 2017 - ongoing)
    Arts of the Islamic World (May 3, 1998 to January 3, 2016)
    Islamic Art (May 9, 1993 to June 3, 1997)
    Islamic Calligraphy (May 14, 1981 to June 24, 1982)
    Art of the Near East (August 21, 1977 to December 14, 1979)
    Untitled Exhibition, Persian and Near Eastern Art (May 5, 1933 to September 24, 1947)
  • Previous custodian or owner

    Arthur Upham Pope (1881-1969)
  • Origin

    probably Iran
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Manuscript
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

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