A Tatar soldier

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

  • Period

    16th century
  • Geography

    Ahmadnagar, Maharashtra state, Deccan plateau, India
  • Material

    Ink and slight tint on paper
  • Dimension

    H x W: 23.8 x 13.3 cm (9 3/8 x 5 1/4 in)
  • Accession Number

    F1929.79
  • EDAN ID

    edanmdm:fsg_F1929.79

Object Details

  • Court

    Ahmadnagar Court
  • School/Tradition

    Deccani school
  • Label

    While much of northern India was under the rule of the Mughal emperors, the Deccan plateau of the south was controlled by a series of Muslim sultanates, including Ahmadnagar, which was ruled by the Nizam Shahi sultans. As in the rest of the Deccan, foreigners, or afaqis, were a major presence at the court; in fact, their strong cultural links with the Middle East, especially Iran, has often led to confusion between Deccani and Iranian painting styles. Turkoman princes themselves, possibly accompanied by their painters and artisans, emigrated from Tabriz in Iran to the Deccan in the late fifteenth century. While the subject of this drawing is a Turkoman warrior, the emphasis on the volume of the body as well as the speckling on the shield and the style of the plumed cap are typical conventions of the Deccan art of Ahmadnagar.
  • Provenance

    To 1929
    Kirkor Minassian, New York to 1929 [1]
    From 1929
    Freer Gallery of Art, purchased from Kirkor Minassian, New York in 1929 [2]
    Notes:
    [1] Object file, undated folder sheet note.
    [2] See note 1. Also see Freer Gallery of Art Purchase List file, Collections Management Office.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Masterworks of Indian Painting (December 13, 1997 to June 13, 1998)
    South and South East Asian Art (May 9, 1993 to February 7, 2000)
    From the Hand of Mani (January 18, 1985 to July 5, 1985)
    The Brush of the Masters: Drawings from Iran (October 14, 1978 to May 30, 1979)
    Near Eastern Art—Paintings, Pottery (August 18, 1967 to February 10, 1972)
    Near Eastern Art (June 5, 1964 to August 18, 1967)
    Special Exhibition Afghanistan (September 3, 1963 to June 5, 1964)
    Untitled Exhibition, Islamic Manuscripts (May 1, 1945 to September 25, 1947)
    Untitled Exhibition, Persian Manuscripts (May 5, 1933 to September 22, 1947)
    Untitled Exhibition, Shahnama and Chinese Art (March 24, 1930 to May 5, 1933)
    Near Eastern Pottery and Persian Painting (May 2, 1923 to March 14, 1931)
  • Previous custodian or owner

    Kirkor Minassian (1874-1944)
  • Origin

    Ahmadnagar, Maharashtra state, Deccan plateau, India
  • Credit Line

    Purchase — Charles Lang Freer Endowment
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring