Thousand-armed Thousand-eyed Bodhisattva Avalokiteshvara (Guanyin) 明 佚名 《千手千眼觀世音菩薩像》 軸

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

  • Period

    16th-17th century?
  • Geography

    China
  • Material

    Ink on paper
  • Dimension

    H x W (image): 75.8 x 58.7 cm (29 13/16 x 23 1/8 in)
  • Accession Number

    F1917.110
  • EDAN ID

    edanmdm:fsg_F1917.110

Object Details

  • Artist

    Formerly attributed to Fanlong 梵隆 (active mid-12th century)
  • Marks

    Label on back.
  • Label

    Multi-armed images of Guanyin, the bodhisattva (enlightened being) of compassion, are popular in several schools of Chinese Buddhism. In its fullest form, the bodhisattva has one thousand arms and hands. Each hand has an eye in its palm that perceives the suffering of the world, and each bears a token that offers a means of salvation.This version has twenty two pairs of arms.
    Wearing a crown decorated with figures of the Five Dhyani (Wisdom) Buddhas, Guanyin sits on a lotus throne before a lunar halo. Above its head, two hands hold aloft an image of the bodhisattva’s patron, Amitabha, the Buddha of Infinite Light. Two other hands, palms together, form a mudra (gesture) of reverence, while a third pair rests in a sign of meditation. The other thirty-eight hands hold symbolic objects, such as a vajra (thunderbolt) to represent enlightenment; willow branches to sprinkle compassion upon believers; a sword to sever the bonds of ignorance; and a lotus to indicate the flowering of the mind. At the foot of the lotus throne stands a Buddhist monk, who offers smoke from an incense burner as an act of devotion.
  • Provenance

    To 1917
    Li Wenqing (late 19th-early 20th century), Shanghai, to 1917 [1]
    From 1917 to 1919
    Charles Lang Freer (1854-1919), purchased from Li Wenqing, in New York, in 1917 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Kakemono and Makimono List, L. 1156, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, Voucher No. 18, December 1916. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Buddhist Art (May 9, 1993 to August 9, 2011)
  • Previous custodian or owner

    Li Wenqing 李文卿 (ca. 1869-1931) (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    China
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring