The Shu River 蜀川圖

Detail of a pattern
Image 1 of 33
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

  • Period

    13th century
  • Geography

    China
  • Material

    Ink on paper
  • Dimension

    H x W (image): 32.3 x 752.1 cm (12 11/16 x 296 1/8 in)
  • Accession Number

    F1916.539
  • EDAN ID

    edanmdm:fsg_F1916.539

Object Details

  • Artist

    Traditionally attributed to Li Gonglin (傳)李公麟 (ca. 1049-1106)
  • Label

    To learn more about this and similar objects, visit http://www.asia.si.edu/SongYuan/default.asp Song and Yuan Dynasty Painting and Calligraphy.
  • Provenance

    To 1916
    Pang Yuanji (1864-1949), Shanghai, China, to 1916 [1]
    From 1916 to 1919
    Charles Lang Freer (1854-1919), purchased from Pang Yuanji, through Pang Zanchen (1881-1951) and Seaouke Yue (You Xiaoxi) (late 19th-early 20th century), in New York, in 1916 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Kakemono and Makimono List, L. 1139, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. See also, P'ang Catalogue: Antique Famous Chinese Paintings Collected by P'ang Lai Ch'en. This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.
    [2] According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), pg. 23 and pg. 37, note 118.
    Larsen explains that Pang Zanchen (the younger brother of Pang Yuanji) and Seaouke Yue were tasked by Pang Yuanji with bringing his paintings to New York to show them to Charles Lang Freer. See also, Original Kakemono and Makimono List, L. 1139, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Looking Out, Looking In: Art in Late Imperial China (October 14, 2017 - ongoing)
    Style in Chinese Landscape Painting: The Song Legacy (May 17 to October 26, 2014)
    Studies in Connoisseurship 1923-1983 (September 23, 1983 to March 1, 1984)
    Chinese Calligraphy (April 18, 1977 to September 13, 1977)
    Bicentennial Exhibition: Chinese Art (December 5, 1975 to November 10, 1976)
    Untitled Exhibition, Chinese Painting, Gallery 1, 1955 (April 11, 1955 to December 12, 1955)
    Untitled Exhibition, Chinese Painting, East Corridor (November 10, 1955 to February 25, 1956)
    Untitled Exhibition, Chinese Painting and Calligraphy, 1947 (January 7, 1947 to April 11, 1955)
    Untitled Exhibition, Chinese Paintings, 1924 (June 2, 1924 to March 14, 1931)
    Chinese Panels and Scrolls (May 2, 1923 to June 2, 1924)
  • Previous custodian or owner

    Pang Yuanji 龐元濟 (1864-1949) (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    China
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring