Bottle with carved and incised design of two phoenixes and peony vinescrolls

Detail of a pattern
Image 1 of 5
Download Image IIIF

Terms of Use

Usage Conditions Apply

At A Glance

On View
  • Period

    mid 12th century
  • Geography

    Gangjin kilns, Jeollanam-do province, Korea
  • Material

    Stoneware with celadon glaze
  • Dimension

    H x W: 28.5 x 18.8 cm (11 1/4 x 7 3/8 in)
  • Accession Number

    F1912.96
  • EDAN ID

    edanmdm:fsg_F1912.96

Object Details

  • Description

    Vase: maebyong with bulbous shoulder, short neck and cup-lip.
    Clay: hard, gray.
    Glaze: gray-green with faint bluish tinge. Interior unglazed.
    Decoration: carved in the paste under glaze: two phoenixes amid peony vinescrolls.
  • Label

    This bottle, probably made for use in the royal court, is embellished with the motif of phoenixes among peony scrolls, which signifies peace and prosperity. Masterful carving of the design caused the glaze to pool in the deeper cuts. Where the glaze is thick, it appears darker, outlining the motifs and emphasizing the incised details.
  • Provenance

    To 1912
    Yamanaka & Company, New York to 1912 [1]
    From 1912 to 1919
    Charles Lang Freer (1854-1919), purchased from Yamanaka & Company, New York in 1912 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] Undated folder sheet note. Also see Original Pottery List, L. 2361, Freer Galley of Art and Arthur M. Sackler Gallery Archives.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Rediscovering Korea’s Past (October 14, 2017 - ongoing)
    Cranes and Clouds: The Korean Art of Ceramic Inlay (November 5, 2011 to January 3, 2016)
    Korean Ceramics of the Koryo Dynasty (May 9, 1993 to August 7, 2011)
    Korean Art (May 9, 1993 to January 29, 1997)
    Chinese and Korean Ceramics (July 11, 1986 to March 13, 1987)
    Korean Art (December 17, 1984 to June 23, 1986)
    Korean Art (June 4, 1982 to September 23, 1982)
    Korean Art (March 20, 1982 to 2 April 1984)
    Korean Art (July 15, 1981 to September 15, 1981)
    Korean Art (March 20, 1980 to March 3, 1981)
    Korean Ceramics (April 11, 1978 to October 13, 1978)
    Korean Art (June 24, 1977 to April 8, 1978)
    Korean Art (June 19, 1969 to November 10, 1976)
    Korean Art (November 2, 1959 to November 22, 1971)
    Untitled Exhibition, Korean Art, 1958 (July 10, 1958 to April 15, 1959)
    Centennial Exhibition, Gallery 16 (February 25, 1956 to July 11, 1958)
    Untitled Exhibition, Korean Ceramics with Korean and Japanese Paintings (February 15, 1955 to April 13, 1955)
    Untitled Exhibition, East Asian Ceramics and Paintings, East Corridor (January 8, 1947 to ---)
    Early Chinese Pottery and Scultpure, Metropolitan Museum of Art, 1916 (March 6 to October 15, 1916)
    Untitled Exhibition, The Japan Society, February 1914 (February 1914)
  • Previous custodian or owner

    Yamanaka and Co. 山中商会 (1917-1965) (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    Gangjin kilns, Jeollanam-do province, Korea
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Vessel
  • On View

    Freer Gallery 14: Rediscovering Korea's Past
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring