Water jar with "Dutch" design

Object Details

• Artist

  Ogata Ihachi (Kyoto Kenzan II) (active 1720-1760)

• Description

  Bowl (hachi); shallow, cylindrical. Gold lacquer repairs.

  Clay: earthenware; soft, resonant, buff-gray.

  Glaze: transparent lead glaze.

  Decoration: in green and blue, purplish-brown, and yellow underglaze enamels.

• Signatures

  "Kenzan" [Jpn] with "ji" [Jpn] cipher.

• Label

  The shape of the piece has a distant referent in Chinese three-color basins ban said to be made in the Fujian region from as early as the Yuan dynasty (1279-1368); pieces have been excavated in Kamakura and also passed down in temples. The domestic deployment would be in the tearoom, as a hira-mizusashi, a water jar used in summer tea ceremonies. The piece would have been fitted with a black lacquer lid.

• Provenance

  1911

  Y. Fujita and Company, Kyoto 1911 [1]

  From 1911 to 1919

  Charles Lang Freer (1854-1919), purchased from Y. Fujita and Company, Kyoto in 1911 [2]

  From 1920

  Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]

  Notes:

  [1] See Original Pottery List, L. 2194, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.

  [2] See note 1.

  [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

• Collection

  Freer Gallery of Art Collection

• Exhibition History

  The Potter's Brush: The Kenzan Style in Japanese Ceramics (December 9, 2001 to October 27, 2002)

• Previous custodian or owner

  Y. Fujita and Company (C.L. Freer source)

  Charles Lang Freer (1854-1919)

• Origin

  Kyoto, Kyoto prefecture, Japan

• Credit Line

  Gift of Charles Lang Freer

• Type

  Vessel

• Restrictions and Rights

  Usage Conditions Apply

  There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

  The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring

• Related Resources

  collections.si.edu

• Date

  1700s, 1710s, 1720s, 1770s, 1780s, 1790s, 1730s, 1740s, 1750s, 1760s, 1800s, 1810s, 1820s, 1830s, 1610s, 1650s, 1640s, 1630s, 1620s, 1690s, 1840s, 1680s, 1850s, 1670s, 1860s, 1660s

• Name

  Freer, Charles Lang, Fujita

• Place

  Kyoto, Japan, Kyoto prefecture

• Topic

  Charles Lang Freer collection, Art, Edo period, Japan, (1600 - 1868), Japanese Art, Ceramics

• Culture

  Japanese

• Object Type

  Vessels (containers)