Dragonfly and lotus plants

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

  • Period

    16th--early 17th century
  • Geography

    China
  • Material

    Silk tapestry (kesi): woven silk threads
  • Dimension

    H x W (image): 41.9 x 64.8 cm (16 1/2 x 25 1/2 in)
  • Accession Number

    F1911.163t
  • EDAN ID

    edanmdm:fsg_F1911.163t

Object Details

  • Label

    Strong graphic designs with vibrant colors are among the best tapestries of the Ming dynasty (1368-1644). The use of large blocks of color to create a bold design corresponds to a similar visual effect in fahua ceramics and in cloisonne. This composition of lotuses features one of the most respected and beloved flowers in Chinese lore. Rising fragrant and unsoiled out of muddy water, the lotus symbolizes purity, integrity, and the idea of spiritual transcendence in the Buddhist tradition. It also carries another meaning-peace-based on the pronunciation of "lotus" in Chinese, "he," which sounds like a differently written word that means "peace." The dragonfly (qingting) adds another pun with words for "dragonfly" and "clear" sounding alike. Thus this image suggests clear, peaceful waters, which served as a rebus for the stability of the Ming government.
  • Provenance

    To 1911
    Pang Yuanji (1864-1949), Shanghai, China, to 1911 [1]
    From 1911 to 1919
    Charles Lang Freer (1854-1919), purchased from Pang Yuanji, in China, in 1911 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Album List, S.I. 28A, pg. 41, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Looking Out, Looking In: Art in Late Imperial China (October 14, 2017 - ongoing)
    Luxury and Luminosity: Visual Culture and the Ming Court (July 3, 2004 to June 26, 2005)
    Chinese Flower Paintings (March 18 to September 22, 1983)
    Bicentennial Exhibition: Chinese Art (December 5, 1975 to November 10, 1976)
  • Previous custodian or owner

    Pang Yuanji 龐元濟 (1864-1949) (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    China
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Costume and Textile
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring