A blue glass dish filled with fruit

Detail of a pattern
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At A Glance

  • Period

    likely 18th century
  • Geography

    China
  • Material

    Ink and color on silk
  • Dimension

    H x W (image): 27.6 x 25.9 cm (10 7/8 x 10 3/16 in)
  • Accession Number

    F1909.245e
  • EDAN ID

    edanmdm:fsg_F1909.245e

Object Details

  • Description

    A blue-glass dish filled with fruit, including pomegranate, pomello, Asian pear, water caltrop, and grapes.
    With six spurious seals, purportedly belonging to Emperor Song Huizong and to Ming collector, Xiang Yuanpian.
    On silk in an album.
  • Marks

    (D.K. Liu, 1914) Artist unknown. Small seal in right upper corner reads: "Shen-ping." Seal in right lower corner reads: "Hsuan-ho." They are both seals of the Emperor Hui-tsung of Sung Dynasty. Seal in left upper reads: "Hsiang Yuan-pien." Seal in left lower corner reads: "Preserved by Mu-lin." These two belong to the great Ming collector and painter, Hsiang Yuan-pien. Gourd-shaped seal at top reads: "Imperial handwriting." It has no meaning and does not look like a good seal. Large square seal near right upper corner is the prince's seal which appears on every painting in this album. It reads: "Preserved with care in the Ch'en-fu." Ch'en-fu is the name of the residence of a prince, perhaps of the Manchu dynasty.
    (D.K. Liu, 1914) Artist unknown. Small seal in right upper corner reads: "Shen-ping." Seal in right lower corner reads: "Hsuan-ho." They are both seals of the Emperor Hui-tsung of Sung Dynasty. Seal in left upper reads: "Hsiang Yuan-pien." Seal in left lower corner reads: "Preserved by Mu-lin." These two belong to the great Ming collector and painter, Hsiang Yuan-pien. Gourd-shaped seal at top reads: "Imperial handwriting." It has no meaning and does not look like a good seal. Large square seal near right upper corner is the prince's seal which appears on every painting in this album. It reads: "Preserved with care in the Ch'en-fu." Ch'en-fu is the name of the residence of a prince, perhaps of the Manchu dynasty.
  • Provenance

    To 1909
    Loon Gu Sai, Beijing, to 1909 [1]
    From 1909 to 1919
    Charles Lang Freer (1854-1919), purchased from Loon Gu Sai, Beijing in 1909 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Album List, pg. 30, S.I. 8, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. According to Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), Loon Gu Sai was possibly Lunguzhai, a store in the antiques district of Liulichang.
    This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Previous custodian or owner

    Loon Gu Sai (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    China
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

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