Tenjin (Sugawara no Michizane) with an ox

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

  • Period

    16th century
  • Geography

    Japan
  • Material

    Ink and color on paper
  • Dimension

    H x W (image): 53.5 × 24.3 cm (21 1/16 × 9 9/16 in)
  • Accession Number

    F1908.21
  • EDAN ID

    edanmdm:fsg_F1908.21

Object Details

  • Label

    The teachings and imagery of Zen Buddhism had a profound impact on Japanese religious beliefs and practice during the Kamakura and Muromachi periods. In this painting, the deified Japanese scholar and government official Sugawara no Michizane (845-903), known posthumously as Tenjin (heavenly deity), is represented walking beside an ox. The image alludes to the Zen Buddhist allegory of an ox and herdsman who illustrate the process of seeking and attaining enlightenment. Michizane was a court official whose unjust death in exile led to widespread worship of him to assuage his angry spirit. Elements of both Shinto and Buddhist belief coexisted in Tenjin worship. In his Zen Buddhist association, the literary accomplishments of Michizane as a poet in the Chinese language were praised; a fourteenth-century legend maintained that Tenjin had miraculously crossed the sea to China to study Zen Buddhism, and there had been taught by a Chinese master and presented with a Buddhist robe. Here he is dressed in a white Japanese court garment, holding a branch of blossoming plum, an emblem of his literary accomplishments.
    The work exhibits an unusual combination of painting styles, suggesting that a painter trained in the meticulous style prevalent at the imperial court had also seen and copied new styles of ink painting that came from China to Zen Buddhist monasteries. The rendering of the ox in ink washes reflects knowledge of this Chinese style, while the figure is rendered with the precision and technical finesse of traditional Japanese court painting.
  • Provenance

    Mr. Kawahara Osaka [1]
    To 1908
    Yamanaka & Company, to 1908 [2]
    From 1908 to 1919
    Charles Lang Freer (1854-1919), purchased from Yamanaka & Company in 1908 [3]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [4]
    Notes:
    [1] According to a note from the Original Kakemono List (see Curatorial Remark 3 in the object file). See also, F1904.344, Curatorial Remark 3, in the object record.
    [2] See Original Kakemono List, pg. 161, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. The majority of Charles Lang Freer’s purchases from Yamanaka & Company were made at its New York branch. Yamanaka & Company maintained branch offices, at various times, in Boston, Chicago, London, Peking, Shanghai, Osaka, Nara, and Kyoto. During the summer, the company also maintained seasonal locations in Newport, Bar Harbor, and Atlantic City.
    [3] See note 2.
    [4] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Tales and Legends in Japanese Art (June 21, 2003 to January 4, 2004)
    Japanese Art--Shinto (October 12, 1976 to December 10, 1976)
  • Previous custodian or owner

    Mr. Kawahara
    Yamanaka and Co. 山中商会 (1917-1965) (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    Japan
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring