Jar
Terms of Use
Usage Conditions ApplyAt A Glance
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Period
late 12th-early 13th century -
Geography
Raqqa, Syria -
Material
Stone-paste painted in black under turquoise glaze -
Dimension
H x W: 31.1 x 21.6 cm (12 1/4 x 8 1/2 in) -
Accession Number
F1908.136 -
EDAN ID
edanmdm:fsg_F1908.136
Object Details
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Description
Jar: inverted pear shape, with cylindrical neck, and pronounced, beveled foot. Restoration at lip.Clay: soft, white.Glaze: brilliant green-blue, with small areas of iridescence. Thin greenish wash on the base. Decoration: painted in black under glaze. -
Label
Before the devastating Mongol invasion in the mid-thirteenth century, the city of Raqqa in northern Syria became an important ceramic center.This elegant jar is characteristic of one type of ware associated with Raqqa. It is decorated with bold black designs under a transparent turquoise glaze that is often quite thickly applied and appears almost in relief. -
Provenance
To 1908Vincenzo Marcopoli, Aleppo, Syria, to 1908 [1]From 1908 to 1919Charles Lang Freer (1854-1919), purchased from Vincenzo Marcopoli in 1908 [2]From 1920Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]Notes:[1] See Original Pottery List, L. 1790, as well as Journal Voucher No. 2, December 1908, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.[2] See note 1.[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery. -
Collection
Freer Gallery of Art Collection -
Exhibition History
Engaging the Senses (October 14, 2017 - ongoing)Arts of the Islamic World (May 3, 1998 to January 3, 2016)Art of the Arab World (August 15, 1980 to May 13, 1981)Art of the Arab World (May 8, 1975 to August 20, 1977) -
Previous custodian or owner
Vincenzo Marcopoli (C.L. Freer source)Charles Lang Freer (1854-1919) -
Origin
Raqqa, Syria -
Credit Line
Gift of Charles Lang Freer -
Type
Vessel -
On View
Freer Gallery 04: Engaging the Senses -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
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