The Rock Bridge at Mount Tiantai 天台石橋圖

Detail of a pattern
Image 1 of 3
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

On View
  • Period

    1178
  • Geography

    China
  • Material

    Ink and color on silk
  • Dimension

    H x W (image): 109.9 x 52.7 cm (43 1/4 x 20 3/4 in)
  • Accession Number

    F1907.139
  • EDAN ID

    edanmdm:fsg_F1907.139

Object Details

  • Artist

    Zhou Jichang 周季常 (active late 12th century)
  • Label

    The Tiantai Mountains are located in Zhejiang Province a short distance from the coastal city of Ningbo. Renowned for their wild, dramatic beauty, the mountains were reputedly the abode of gods and immortals. The natural rock bridge spanning a waterfall is one Tiantai's most famous sights. According to legend, this arch is also a pathway to paradise where the five-hundred luohan, saintly guradians of the Buddhist faith, worship and dwell among magnificent celestial temples. Those who venture to tread this perilous trail, however, find that the bridge, which narrows to a width of several centimeters, is obstructed at its far end by an insumountable block of stone.
    Luohan are portrayed in Chinese paintings as Buddhist monks, for whom they stood as holy exemplars. While not directly worshipped, luohan could be induced through rigorous proofs of devotion to assist a pious supplicant in overcoming obstacles to salvation. Such a scene is illustrated in this painting. Three luohan stand on a swath of clouds in the foreground, while two others walk in the clouds above, patrolling the gates of a stately temple. Both groups observe the devout monk Tanyou (fourth century), who attempts to gain access across the bridge. According to the story, Tanyou was initially thwarted by the large stone, but persisted in his endeavor, praying and fasting for several days. Because of his sincerity, the luohan opened a gateway in the stone, allowing Tanyou to enter their heavenly temple and briefly join in the monastic routine. Afforded this taste of paradise, he was sent back to the world to live out his natural years. The painting captures the moment just before the stone was opened.
    To learn more about this and similar objects, visit http://www.asia.si.edu/SongYuan/default.asp Song and Yuan Dynasty Painting and Calligraphy.
  • Provenance

    The Daitoku-ji Temple, Kyoto [1]
    From 1907 to 1919
    Charles Lang Freer (1854-1919), purchased in Tokyo in 1907 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] According to Curatorial Remark 8, citing Thomas Lawton, catalogue entry 19 of "Chinese Figure Painting," 1973: "At the end of the nineteenth century, the Daitokuji was in need of funds for repairs, and the paintings were used as a collateral for a loan. In 1894 Ernest Fenollosa arranged a special exhibition in which 44 of the paintings were shown at the Museum of Fine Arts, Boston. Ten of those paintings were purchased by the Museum of Fine Arts. As an expression of gratitude, the Japanese presented one of the 44 paintings to Fenollossa, who subsequently sold it to Charles L. Freer in 1902 (F02.224). In 1907 while in Tokyo, Mr. Freer acquired another of the paintings from the set (F07.139)."
    This object exhibits seals, colophons, or inscriptions that could provide additional information regarding the object’s history; see Curatorial Remarks in the object record for further details.
    [2] See Original Kakemono and Makimono List, L. 543, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Setting the Bar: Arts of the Song dynasty (October 14, 2017 - ongoing)
    Masters of Mercy: Buddha's Amazing Disciples (March 10 to July 8, 2012)
    Guardians of the Law: Chinese Luohan Painting (December 1, 2003 to May 23, 2004)
    In the Mountains (January 31 to August 2, 1998)
    Masterpieces of Chinese Painting (I) (August 3, 1984 to February 7, 1985)
    Chinese Art (March 9, 1981 to March 12, 1982)
    Chinese Figure Painting (September 17, 1973 to January 3, 1975)
    Chinese Art (January 1, 1963 to March 6, 1981)
    Chinese Paintings (June 5, 1957 to January 1, 1963)
  • Previous custodian or owner

    Daitoku-ji, Kyoto
    Charles Lang Freer (1854-1919)
  • Origin

    China
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • On View

    Freer Gallery 15: Setting the Bar: Arts of the Song Dynasty
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring