Venice: Sunrise on the Rialto (recto) and a Venetian Scene (verso)

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

  • Period

    1880
  • Geography

    United States
  • Material

    Pastel on gray paper
  • Dimension

    H x W: 10.6 x 27 cm (4 3/16 x 10 5/8 in)
  • Accession Number

    F1905.331a-b
  • EDAN ID

    edanmdm:fsg_F1905.331a-b

Object Details

  • Artist

    James McNeill Whistler (1834-1903)
  • Description

    Buildings and boats across the water in pink and yellow, with a Venetian scene on the reverse.
  • Signatures

    Unsigned.
  • Label

    This pastel was drawn from the Casa Jankowitz, a hotel on the Riva degli Schiavoni, where Whistler stayed during the summer and fall of 1880. Whistler was not an early riser, and despite the drawings traditional title, it is a view looking west across the Bacino to the Salute at sunset.
  • Provenance

    To 1905
    Thomas Way Sr. (1827-1915), London, or Thomas Robert Way (1861-1913), London, to 1905 [1]
    From 1905 to 1919
    Charles Lang Freer (1854-1919), purchased from Thomas Way Sr. or Thomas Robert Way in 1905 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] According to Curatorial Remark 1 in the object record. See further, Whistler Reserved List, R. 5806, as well as List of Whistler Paintings, etc., Transferred to S.I. on January 3, 1921, pg. 2, and paintings, pg. 28, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many Whistler works. Thomas Way Sr. acquired several of these works at the time of Whistler’s bankruptcy, and he passed some of them on to his son (see The Correspondence of James McNeill Whistler, 1855-1903, ed. Margaret F. MacDonald, Patricia de Montfort and Nigel Thorp, On-line Edition, People, biographies of Thomas Way and Thomas Robert Way; http://www.whistler.arts.gla.ac.uk/correspondence).
    Charles Lang Freer acquired many Whistler pieces from the Ways. However, museum records do not always specify whether it was the younger or elder Way who was the source of a particular object. Further, archival sources indicate that the junior Way sometimes acted on behalf of his father: whilst negotiating the sale of his own Whistler works to C.L. Freer, he would concurrently negotiate the sale of some of his father’s Whistler works to Freer. In cases where it is unclear whether it was the junior or senior Way who actually owned a piece acquired by C.L. Freer, the provenance record will simply state that the object was purchased from “Thomas Way Sr. or Thomas Robert Way.”
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Whistler in Venice: The Pastels (January 19 to June 15, 2003)
  • Previous custodian or owner

    Charles Lang Freer (1854-1919)
  • Origin

    United States
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Drawing
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring