Water jar or incense burner with design of maple leaves
Terms of Use
Usage Conditions ApplyAt A Glance
-
Period
ca.1731-1743 -
Geography
Iriya, Tokyo, Japan -
Material
Buff clay with white slip and iron pigment under transparent glaze, and enamels over glaze; bronze cover -
Dimension
H x Diam: 13.9 × 16.1 cm (5 1/2 × 6 5/16 in) -
Accession Number
F1905.24a-b -
EDAN ID
edanmdm:fsg_F1905.24a-b
Object Details
-
Artist
Ogata Kenzan (1663-1743)Edo-Iriya Workshop -
Description
Tea ceremony freshwater jar in the style of Dutch earthenware. Jar, globular, low foot set slightly inside base. Brass cover.Clay: medium gray stonewareGlaze: cream colored, crackled and somewhat stained.Decoration: green network framing red, blue, black, and yellow leaves in overglaze enamels.Signed Kenzan on base. -
Signatures
Signed Kenzan on base. -
Label
The shape of this vessel is exotic, recalling something nonindigenous such as Delft or even more so Italian Majolica ware. The decoration is in the Kenzan traditon, recalling camellia designs depicted in white against a green ground; this was a stock Kenzan-ware item in the second quarter of the eighteenth century.In additon, this piece has a bronze cover with a reticulated design of cherry blossoms. The cover in effect turns the exotic vessel form into an incense burner. There is also a clumsily executed overglaze enamel leaf design in the bottom of the jar.Two similar pieces exist, another in the Freer collection (F1904.358) and one in the collection of the Idemitsu Museum of Art, Tokyo. -
Provenance
To 1905K. Suzuki, New York, to 1905 [1]From 1905 to 1919Charles Lang Freer (1854-1919), purchased from K. Suzuki in 1905 [2]From 1920Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]Notes:[1] See Original Pottery List, L. 1341, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Also, Curatorial Remark 13, Louise Cort, June 17,2008, in the object record, states: "The dealer who sold Freer this bowl, K. Suzuki, was in New York when he wrote a letter to Edward Sylvester Morse dated 17 February 1905. This was the only time Freer purchased works from him."[2] See note 1.[3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery. -
Collection
Freer Gallery of Art Collection -
Exhibition History
The Potter's Brush: The Kenzan Style in Japanese Ceramics (December 9, 2001 to October 27, 2002) -
Previous custodian or owner
K. Suzuki (C.L. Freer source)Charles Lang Freer (1854-1919) -
Origin
Iriya, Tokyo, Japan -
Credit Line
Gift of Charles Lang Freer -
Type
Vessel -
Restrictions and Rights
Usage Conditions Apply
There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.
The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.
Keep Exploring
-
Related Resources
-
Date
-
Name
-
Place
-
Topic
-
Culture
-
Object Type