Florence Leyland

Detail of a pattern
Image 1 of 1
IIIF

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At A Glance

  • Period

    ca. 1873
  • Geography

    United States
  • Material

    Drypoint; ink on paper
  • Dimension

    H x W: 21.4 x 13.8 cm (8 7/16 x 5 7/16 in)
  • Accession Number

    F1905.166
  • EDAN ID

    edanmdm:fsg_F1905.166

Object Details

  • Artist

    James McNeill Whistler (1834-1903)
  • Edition/State

    6, 6
  • Label

    Whistler etchings are identified by "G" numbers as assigned in "James McNeill Whistler: The Etchings, a catalogue raisonne," by Margaret F. McDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock (University of Glasgow, 2012), http://etchings.arts.gla.ac.uk. This print is G136 state 9 of 11.
  • Provenance

    To 1905
    Thomas Way Sr. (1827-1915), London, or Thomas Robert Way (1861-1913), London, to 1905 [1]
    From 1905 to 1919
    Charles Lang Freer (1854-1919), purchased from Thomas Way Sr. or Thomas Robert Way in 1905 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Whistler List, Etchings, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Thomas Way Sr. and his son, Thomas Robert Way, were lithographers who worked closely with Whistler on several of his projects. They helped with the printing of his etchings, as well as the printing of Whistler’s promotional materials. Both Thomas Way Sr. and Thomas Robert Way owned many Whistler works. Thomas Way Sr. acquired several of these works at the time of Whistler’s bankruptcy, and he passed some of them on to his son (see The Correspondence of James McNeill Whistler, 1855-1903, ed. Margaret F. MacDonald, Patricia de Montfort and Nigel Thorp, On-line Edition, People, biographies of Thomas Way and Thomas Robert Way; http://www.whistler.arts.gla.ac.uk/correspondence).
    Charles Lang Freer acquired many Whistler pieces from the Ways. However, museum records do not always specify whether it was the younger or elder Way who was the source of a particular object. Further, archival sources indicate that the junior Way sometimes acted on behalf of his father: whilst negotiating the sale of his own Whistler works to C.L. Freer, he would concurrently negotiate the sale of some of his father’s Whistler works to Freer. In cases where it is unclear whether it was the junior or senior Way who actually owned a piece acquired by C.L. Freer, the provenance record will simply state that the object was purchased from “Thomas Way Sr. or Thomas Robert Way.”
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Ruffled Feathers: Creating Whistler's Peacock Room (July 13, 2024 to January 21, 2027)
    Whistler and the Leylands (July 3, 1998 to June 6, 1999)
  • Previous custodian or owner

    Charles Lang Freer (1854-1919)
  • Origin

    United States
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Print
  • Restrictions and Rights

    Usage Conditions Apply

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