The Tall Flower

Detail of a pattern
Image 1 of 2
IIIF

Terms of Use

Usage Conditions Apply

At A Glance

  • Period

    ca. 1883-1886
  • Geography

    United States
  • Material

    Watercolor on paper
  • Dimension

    H x W: 25.3 x 17.6 cm (9 15/16 x 6 15/16 in)
  • Accession Number

    F1904.63a-c
  • EDAN ID

    edanmdm:fsg_F1904.63a-c

Object Details

  • Artist

    James McNeill Whistler (1834-1903)
  • Description

    On the verso: A female nude figure, standing with bent head, holding a fan; signed with the butterfly at right. On the recto: floral design for a wall decoration, indicative of the artist's interest in Rococo interior décor.
  • Signatures

    Brown butterfly below center at left edge
  • Paper/Support

    On a cold-pressed, wove paper. Graphite crop lines along top and right edges.
  • Provenance

    To 1904
    Obach & Co., London, to 1904 [1]
    From 1904 to 1919
    Charles Lang Freer (1854-1919), purchased from Obach & Co. in 1904 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Whistler List, Paintings, pg. 20, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    James McNeill Whistler at the Freer Gallery of Art: Whistler as Decorator (May 11, 1984 to December 5, 1984)
    Untitled Exhibition, Whistler Paintings and Drawings (December 14, 1955 to February 25, 1956)
    Untitled Exhibition, Works of Whistler (September 22, 1947 to April 11, 1955)
  • Previous custodian or owner

    Obach & Co. (1884-1911) (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    United States
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

    There are restrictions for re-using this media. For more information, visit the Smithsonian's Terms of Use page.

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