Staircase panel

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

  • Period

    1876
  • Geography

    United States
  • Material

    Oil paint and metal leaf on wood
  • Dimension

    H x W: 51.1 x 36.8 cm (20 1/8 x 14 1/2 in)
  • Accession Number

    F1904.469
  • EDAN ID

    edanmdm:fsg_F1904.469

Object Details

  • Artist

    James McNeill Whistler (1834-1903)
  • Provenance

    From 1876 to 1892
    Frederick Richards Leyland (1831-1892), London, from 1876 [1]
    From 1892 to 1894
    Estate of Frederick Richards Leyland, London, from 1892 [2]
    From 1894 to 1904
    Mrs. James Watney (Blanche Marie Georgiana Burrell Watney), London, purchased from the Estate of Frederick Richards Leyland in 1894 [3]
    1904
    Obach & Co., London, purchased from Mrs. James Watney, through Messrs. Brown and Phillips of the Leicester Galleries, London, in 1904 [4]
    From 1904 to 1919
    Charles Lang Freer (1854-1919), purchased from Obach & Co. in 1904 [5]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [6]
    Notes:
    [1] These panels were removed from a staircase in Frederick Richard Leyland's house, 49 Prince's Gate, London (see Curatorial Remark 2 in the object record). When Frederick Richard Leyland died in 1892, 49 Prince's Gate - and its contents - was offered for sale.
    Leyland's porcelains and other treasures were sold. The house - which still contained these stair panels, as well as the famous Peacock Room - did not bring a high enough offer and it was withdrawn from sale. It was finally purchased in 1894 by Mrs. James (Blanche) Watney. Upon discovering that the Peacock Room could be taken apart and reassembled, Mrs. Watney decided to sell the room. In 1903, Mrs. Watney engaged Messrs. Brown and Phillips of the Leicester Galleries in Leicester Square as agents. Unable to purchase, dismantle, and reassemble the room on their own, Ernest Brown, one of principals, enlisted the cooperation of Obach & Co., a larger gallery on New Bond Street. In 1904, Charles Lang Freer purchased the Peacock Room from Obach & Co., and soon thereafter purchased these stair panels (see Curatorial Remark 5, David Park Curry, 1984, in the object record). See also, F1904.61, Curatorial Remarks and Provenance, for more information.
    [2] See note 1.
    [3] See note 1.
    [4] See note 1. Also, the exact nature of the transactions between Mrs. Watney, Messrs. Brown and Phillips of the Leicester Galleries, and Obach & Co. is somewhat unclear. Messrs. Brown and Phillips appear to have acted simply as agents for Mrs. Watney, facilitating the sale of architectural fragments of 49 Prince's Gate, from Mrs. Watney to Obach & Co.
    Obach & Co. appear to have been full owners of these pieces, having purchased them from Mrs. Watney before selling them to Freer.
    [5] See notes 1 and 4.
    [6] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    James McNeill Whistler at the Freer Gallery of Art: Whistler as Decorator (May 11, 1984 to December 5, 1984)
  • Previous custodian or owner

    Charles Lang Freer (1854-1919)
  • Origin

    United States
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring