Eight Views of Omi Province

Detail of a pattern
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At A Glance

  • Period

    1670
  • Geography

    Japan
  • Material

    Ink and color on silk
  • Dimension

    H x W (overall): 27.3 x 276.7 cm (10 3/4 x 108 15/16 in)
  • Accession Number

    F1904.390
  • EDAN ID

    edanmdm:fsg_F1904.390

Object Details

  • Artist

    Kano Tan'yu 狩野探幽 (1602-1674)
  • Description

    Eight Views of Omi Province. Eight inscriptions, signature and seal. Silk makimono.
  • Signatures

    Kunaikyō hōin Tanyū gyōnen rokujūsai hitsu
    宮内卿法印探幽行年六十歳筆
    宮内卿法印探幽行年六十歳筆
  • Marks

    Artist's seal following signature: Tanyūsai 探幽斎
  • Label

    The subject of this handscroll is the Eight Views of Omi, the region around Lake Biwa near Kyoto. The landscapes are executed in a soft, evocative style that suggests rather than delineates forms. Above each scene is a Japanese poem, written in elegant cursive Japanese hiragana script following to the left of the title in Chinese characters. Tan'yu's signature at the end of the scroll gives his title as "Seal of the Law, official of the Imperial Palace." The title Hoin (Seal of the [Buddhist] Law) was an honorific ecclesiastical title awarded to painters of high standing. After early training in Kyoto, Kano Tan'yu moved to Edo and became an official painter for the Tokugawa shoguns. He established an atelier in the Kajibashi district of Edo and received many important commissions, including the decoration of Edo Castle in 1622 and Nijo Castle in Kyoto in 1626.
    In addition to mastering the Chinese painting styles that had become a specialty of the Kano school, Tan'yu became proficient in the elegant courtly style of traditional Japanese painting that was a specialty of artists of the Tosa and Sumiyoshi schools. This style was popular among Tan'yu's patrons, who predominantly belonged to high level daimyo families but consciously sought to acquire the cultivation and prestige of Kyoto court culture.
  • Provenance

    To 1904
    Michael Tomkinson (1841-1921), Kidderminster, England, to 1904 [1]
    From 1904 to 1919
    Charles Lang Freer (1854-1919), purchased from Michael Tomkinson in 1904 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Makimono Reserved List, R. 440, pg. 1, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Seasons: Arts of Japan (February 5, 2011 to January 13, 2013)
    Landscapes in Japanese Art (February 2 to July 15, 2007)
    Real and Imagined Places in Japanese Art (March 4 to October 21, 2001)
    Japanese Art in the Age of Koetsu (June 6, 1998 to February 15, 1999)
    Japanese Art—Autumn Voices (October 14, 1981 to December 16, 1981)
  • Previous custodian or owner

    Michael Tomkinson (1841-1921) (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    Japan
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

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