Emma-ten and Two Attendants; below, Emma-o and Two Attendants

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At A Glance

  • Period

    13th century
  • Geography

    Japan
  • Material

    Ink, color and gold on silk
  • Dimension

    H x W (image): 67.2 × 43.6 cm (26 7/16 × 17 3/16 in)
  • Accession Number

    F1904.340a-h
  • EDAN ID

    edanmdm:fsg_F1904.340a-h

Object Details

  • Label

    Seated astride a white bull, the Buddhist deity Emma-ten is attended by two bodhisattvas (enlightened beings). Emma-ten is worshiped as the defender of the Buddhist law, a king of the Buddhist hell, and a judge in the world of the dead. Below these imposing figures, in a smaller scale, Emma-o is shown in a different manifestation in the costume of a Chinese official, the customary way in which judges of hell were depicted. Chinese painters who devised the earliest images of this subject envisioned the kings who would judge the merits and sins of the deceased as powerful civil magistrates.
    This painting is a rare surviving example of this complex subject presentation. Notable are the fine, full delineation of figures and complex color technique typical of Buddhist paintings of the late Heian period (794-1185), when members of the imperial court were avid patrons of Buddhism.
  • Provenance

    Temple Nishi-muro-in, Koyasan, Japan [1]
    To 1904
    Yamanaka & Company, to 1904 [2]
    From 1904 to 1919
    Charles Lang Freer (1854-1919), purchased from Yamanaka & Company in 1904 [3]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [4]
    Notes:
    [1] See Curatorial Remark 4 in the object record.
    [2] Undated folder sheet note.
    Also see Original Kakemono List, pg. 136, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. The majority of Charles Lang Freer’s purchases from Yamanaka & Company were made at its New York branch. Yamanaka & Company maintained branch offices, at various times, in Boston, Chicago, London, Peking, Shanghai, Osaka, Nara, and Kyoto. During the summer, the company also maintained seasonal locations in Newport, Bar Harbor, and Atlantic City.
    [3] See note 2.
    [4] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    A Journey of Taste: Freer and Japanese Scroll Mounting (April 15, 2023 to March 3, 2024)
    Freer: A Taste for Japanese Art (July 1, 2006 to January 1, 2007)
    Religious Art of Japan (December 18, 2002 to January 4, 2015)
    Japanese Art (July 1, 1974 to April 10, 1978)
    Japanese Art: Painting and Sculpture (July 1, 1966 to May 2, 1973)
    Japanese Art (January 1, 1963 to July 1, 1966)
    Centennial Exhibition, Galleries 1 and 2 (February 25, 1956 to January 1, 1963)
    Untitled Exhibition, Japanese Hanging Scrolls, Ceramics, and Sculpture (October 2, 1947 to January 23, 1951)
    Untitled Exhibition, Japanese Ceramics and Painting (May 2, 1946 to October 2, 1947)
    Japanese Paintings Buddhist Etc. (January 5, 1928 to December 8, 1941)
    Japanese Paintings and Sculpture (May 2, 1923 to January 5, 1928)
  • Previous custodian or owner

    Yamanaka and Co. 山中商会 (1917-1965) (C.L. Freer source)
    Nishi-muro-in Temple, Koyasan
    Charles Lang Freer (1854-1919)
  • Origin

    Japan
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    Usage Conditions Apply

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