Incense box or seal ink container with design of crane and chrysanthemums for the tenth month

Detail of a pattern
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At A Glance

  • Period

    1699-1712
  • Geography

    Kyoto, Kyoto prefecture, Japan
  • Material

    Stoneware with white slip, cobalt, and iron pigments under transparent glaze, and enamels over glaze
  • Dimension

    H x W: 3 x 11.7 cm (1 3/16 x 4 5/8 in)
  • Accession Number

    F1900.72a-b
  • EDAN ID

    edanmdm:fsg_F1900.72a-b

Object Details

  • Artist

    Ogata Kenzan (1663-1743)
    Narutaki workshop (active 1699-1712)
  • Description

    Incense box, flat, of irregular outline. Cover.
    Clay: buff stoneware, fine-grained.
    Glaze: transparent.
    Decoration: underglaze iron and cobalt, overglaze red, green and gold. Crane and chrysanthemums.
  • Signatures

    Kenzan
  • Inscriptions

    Signature: Kenzan
  • Label

    With its design of crane and chrysanthemums, this shallow box is a miniature painting made to adorn the desk or reception room of a wealthy patron. The ground design simulates the decorated paper favored for painting or calligraphy, but using a potter's materials-gold enamel (gold power mixed with borax and animal-hide glue) and cobalt-blue pigment. The sumptuous streaked decoration continues on the inside of the box.
  • Provenance

    Ikeda Seisuke (1839-1900), Kyoto [1]
    To 1900
    Bunkio Matsuki (1867-1940), Boston, to 1900 [2]
    From 1900 to 1919
    Charles Lang Freer (1854-1919), purchased from Bunkio Matsuki in 1900 [3]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [4]
    Notes:
    [1] According to Curatorial Remark 6, an Envelope File note, H.E. Buckman, 1964, in the object record, which states: "Formerly in Ikeda collection." See also, Curatorial Remark 1 and Curatorial Remark 7, L.A. Cort, March 1992, in the object record.
    [2] See Original Pottery List, L. 769, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
    [3] See note 2.
    [4] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Tea Ceramics after Koetsu (June 27, 2015 to January 3, 2016)
    Bold and Beautiful: Rinpa in Japanese Art (June 28, 2015 to January 3, 2016)
    The Arts of Japan (July 14, 2012 to January 13, 2013)
    Seasons: Arts of Japan (February 5, 2011 to January 13, 2013)
    Moonlight and Clouds: Silver and Gold in the Arts of Japan (November 11, 2008 to November 11, 2009)
    Gold: The Asian Touch (September 10, 2005 to February 20, 2006)
    The Potter's Brush: The Kenzan Style in Japanese Ceramics (December 9, 2001 to October 27, 2002)
    Telling Tales in Japanese Art (November 23, 1996 to August 14, 1997)
  • Previous custodian or owner

    Ikeda Seisuke (1839-1900)
    Bunkio Matsuki 松木文恭 (1867-1940) (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    Kyoto, Kyoto prefecture, Japan
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Container
  • Restrictions and Rights

    Usage Conditions Apply

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