Egret on a Bridge Post

Object Details

• Artist

  Katsushika Hokusai 葛飾北斎 (1760-1849)

• Signatures

  Contains signature.

• Marks

  Contains one seal.

• Provenance

  To 1898

  Edward S. Hull Jr., New York to 1898 [1]

  From 1898 to 1919

  Charles Lang Freer (1854-1919), purchased from Edward S. Hull Jr. in 1898 [2]

  From 1920

  Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]

  Notes:

  [1] See Original Kakemono List, L. 152, pg. 33, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Edward S. Hull Jr. was Ernest Francisco Fenollosa’s (1853-1908) lawyer. Hull often acted as an agent, facilitating purchases of objects consigned to him by Fenollosa, as well as purchases of objects consigned to him by Fenollosa's

  well-known associate, Bunshichi Kobayashi (see correspondence, Hull to Freer, 1898-1900, as well as invoices from E.S. Hull Jr., 1898-1900, Freer Gallery of Art and Arthur M. Sackler Gallery Archives). See also, Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), pgs. 15 and 34. See further, Thomas Lawton and Linda Merrill, Freer: A Legacy of Art, (Washington, DC and New York: Freer Gallery of Art and H. N. Abrams, 1993), pgs. 133-134.

  [2] See note 1.

  [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.

• Collection

  Freer Gallery of Art Collection

• Exhibition History

  Hokusai: Mad About Painting (November 20, 2019 to January 9, 2022)

  Hokusai (October 25, 2005 to May 14, 2006)

• Previous custodian or owner

  Edward S. Hull Jr. (C.L. Freer source)

  Charles Lang Freer (1854-1919)

• Origin

  Japan

• Credit Line

  Gift of Charles Lang Freer

• Type

  Painting

• Restrictions and Rights

  CC0 - Creative Commons (CC0 1.0)

  This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

  The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring

• Related Resources

  collections.si.edu

• Date

  1700s, 1710s, 1720s, 1770s, 1780s, 1790s, 1730s, 1740s, 1750s, 1760s, 1800s, 1810s, 1820s, 1830s, 1610s, 1650s, 1640s, 1630s, 1620s, 1690s, 1840s, 1680s, 1850s, 1670s, 1860s, 1660s

• Name

  Hull, Edward S., Freer, Charles Lang

• Place

  Japan

• Topic

  Charles Lang Freer collection, Art, Edo period, Japan, (1600 - 1868), Japanese Art, Ukiyo-e, Egrets, Kakemono

• Culture

  Japanese

• Object Type

  Paintings