The Actor Ichikawa Ebizo III as Matsuomaru in the play Sugawara and the Secrets of Calligraphy

Detail of a pattern
Image 1 of 2
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

  • Period

    18th century
  • Geography

    Japan
  • Material

    Color, lacquer black, and slight gold on silk
  • Dimension

    H x W: 58.7 x 26.8 cm (23 1/8 x 10 9/16 in)
  • Accession Number

    F1898.423
  • EDAN ID

    edanmdm:fsg_F1898.423

Object Details

  • Artist

    Katsukawa Shunko 勝川春好 (1743-1812)
  • Label

    The kabuki play Sugawara and the Secrets of Calligraphy (Sugawara denju tenarai kagami) relates the story of Sugawara no Michizane (845-903), a courtier and calligrapher who died in exile due to maneuvers by his enemies at court. Here the actor Ichikawa Ebizo III (formerly Ichikawa Danjuro IV, 1712-1778) plays Matsuomaru, a samurai attendant to Fujiwara no Tokijira (871-909), one of the courtiers who plotted against Michizane. With his features fixed in a menacing stare, the actor strikes a pose in a scene of confrontation. The actor wears a courtier's hat and carries a tall umbrella covered with a white case.
  • Provenance

    To 1898
    Edward S. Hull Jr., New York to 1898 [1]
    From 1898 to 1919
    Charles Lang Freer (1854-1919), purchased from Edward S. Hull Jr. in 1898 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Kakemono and Makimono List, L. 186, pg. 41, as well as Voucher No. 38, November 1898, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Edward S. Hull Jr. was Ernest Francisco Fenollosa’s (1853-1908) lawyer. Hull often acted as an agent, facilitating purchases of objects consigned to him by Fenollosa, as well as purchases of objects consigned to him by Fenollosa's
    well-known associate, Bunshichi Kobayashi (see correspondence, Hull to Freer, 1898-1900, as well as invoices from E.S. Hull Jr., 1898-1900, Freer Gallery of Art and Arthur M. Sackler Gallery Archives). See also, Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), pgs. 15 and 34. See further, Thomas Lawton and Linda Merrill, Freer: A Legacy of Art, (Washington, DC and New York: Freer Gallery of Art and H. N. Abrams, 1993), pgs. 133-134.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Japanese Art from the Collection (October 26, 2024 - ongoing)
    The Floating World: Ukiyo-e Paintings and Prints (December 8, 2002 to May 26, 2003)
    Japanese Theatre in the Edo Period (July 22, 1985 to October 15, 1985)
    Japanese Prints (December 1, 1978 to April 12, 1979)
    Japanese Ukiyo-e Painting (May 2, 1973 to July 1, 1974)
    Japanese Art, Galleries 3, 4, and 5 (January 1, 1963 to September 16, 1970)
    Ukiyo-e Exhibition (August 7, 1961 to January 1, 1963)
    Untitled Exhibition, Japanese Art, 1955 (October 25, 1955 to November 22, 1955)
    Untitled Exhibition, Japanese Art (October 3, 1947 to February 25, 1956)
  • Previous custodian or owner

    Edward S. Hull Jr. (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    Japan
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring