Two women and a girl on the seashore

Detail of a pattern
Image 1 of 1
Download Image IIIF

Terms of Use

Creative Commons

At A Glance

  • Period

    1735-1814
  • Geography

    Japan
  • Material

    Color and gold on silk panel
  • Dimension

    H x W (image): 87.3 × 32.9 cm (34 3/8 × 12 15/16 in)
  • Accession Number

    F1898.113
  • EDAN ID

    edanmdm:fsg_F1898.113

Object Details

  • Artist

    Utagawa Toyoharu (1735-1814)
  • Signatures

    Signed: Gyo nen (age) roku-ju-roku (66) o (okina, i.e. old man) Ichiryusai Utagawa Toyoharu ga.
  • Marks

    Contains seal.
  • Label

    Utagawa Toyoharu was an important and influential painter of ukiyo-e (pictures of the floating world) who established a lineage of successful painters and print designers that continued into the Meiji era (1868-1912). This charming scene at the seashore reveals the technical versatility of Toyoharu's painting, ranging from the soft brushstrokes and ink washes depicting the landscape to the fluent rendering of the stylized waves. Rich, opaque color, meticulously applied and accented with gold, is restricted to the womens' fashionable kimonos. Toyoharu's mastery of expression is apparent in this lively work: the womens' garments seem to be caught by a breeze as they wade out to gather clams; the young woman deftly catches a fish with her hand.
  • Provenance

    To 1898
    Edward S. Hull Jr., New York to 1898 [1]
    From 1898 to 1919
    Charles Lang Freer (1854-1919), purchased from Edward S. Hull Jr. in 1898 [2]
    From 1920
    Freer Gallery of Art, gift of Charles Lang Freer in 1920 [3]
    Notes:
    [1] See Original Kakemono List, L. 175, pg. 38, Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Edward S. Hull Jr. was Ernest Francisco Fenollosa’s (1853-1908) lawyer. Hull often acted as an agent, facilitating purchases of objects consigned to him by Fenollosa, as well as purchases of objects consigned to him by Fenollosa's
    well-known associate, Bunshichi Kobayashi (see correspondence, Hull to Freer, 1898-1900, as well as invoices from E.S. Hull Jr., 1898-1900, Freer Gallery of Art and Arthur M. Sackler Gallery Archives). See also, Ingrid Larsen, "'Don’t Send Ming or Later Pictures': Charles Lang Freer and the First Major Collection of Chinese Painting in an American Museum," Ars Orientalis vol. 40 (2011), pgs. 15 and 34. See further, Thomas Lawton and Linda Merrill, Freer: A Legacy of Art, (Washington, DC and New York: Freer Gallery of Art and H. N. Abrams, 1993), pgs. 133-134.
    [2] See note 1.
    [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
  • Collection

    Freer Gallery of Art Collection
  • Exhibition History

    Seasons: Arts of Japan (February 5, 2011 to January 13, 2013)
    Artists of Edo (November 19, 2005 to May 29, 2006)
    Japanese Ukiyo-e Painting (May 2, 1973 to July 1, 1974)
  • Previous custodian or owner

    Edward S. Hull Jr. (C.L. Freer source)
    Charles Lang Freer (1854-1919)
  • Origin

    Japan
  • Credit Line

    Gift of Charles Lang Freer
  • Type

    Painting
  • Restrictions and Rights

    CC0 - Creative Commons (CC0 1.0)

    This image is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian. For more information, visit the Smithsonian's Terms of Use page.

    The information presented on this website may be revised and updated at any time as ongoing research progresses or as otherwise warranted. Pending any such revisions and updates, information on this site may be incomplete or inaccurate or may contain typographical errors. Neither the Smithsonian nor its regents, officers, employees, or agents make any representations about the accuracy, reliability, completeness, or timeliness of the information on the site. Use this site and the information provided on it subject to your own judgment. The National Museum of Asian Art welcomes information that would augment or clarify the ownership history of objects in their collections.

Keep Exploring